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How and Where to Place Scrapbooking Embellishments – Paperclipping 168

Monday, April 25th, 2011

Tap Dance for Money - both pages

Two of the more common questions scrapbookers want to know are:

  • How do you know where to put your embellishments?
  • How do you know when to stop?

Someone asked me one of these during my True Scrap class at the end of my presentation and I felt like I let her down because I really don’t believe you can give an adequate answer in just a few sentences.

The most common answer I hear to the question, “How do you know when to stop?” is “When you feel like you’re done, take one thing off the page.”

This answer may be adequate for certain scrapbookers, but it’s definitely not a principle that applies in general.

How does that help someone like me, who had to force herself to learn to add the first embellishment? (I have many old scrapbooking pages that have a background, photos, and photo mattes. And that is it!).

Or anyone who tends to use too few items, rather than too many?

Which of the item do you take off?

What if the page looks off-balance when you remove an item?

The Root of the Problem

As scrapbookers, we’re fortunate to have lots of beautiful and amazing embellishment options at our fingertips. You can’t say the same thing for paint or charcoal pencil artists.

On the one hand, we’re very lucky. On the other hand, our embellishment obsession distracts us from learning overall design composition. This is the problem: We’re so engrossed in the wonderful details of the embellishments that they’re the first and main thing we want to learn and focus our time on.

Three Concepts To Master for Powerful Embellishment Placement

If you master three concepts, which I cover heavily in my video tutorials for Paperclipping Members, you will never have to worry about where to put the embellishments, or when to stop because you’ll just know. Here are the three concepts:

  • Building a foundation of focal point photos, supporting photos, and anchoring lines.
  • General overall principles of composition, like balance and space.
  • The design purposes of embellishments

N 38 (closeup)

Embellishments Have Design Purposes

Beauty is just a by-product. If you’re overly focused on how beautiful the embellishments are, you’re in danger of…

  • using too many of them
  • being too intimidated to use them

If instead, you focus on using them only to meet the design needs of your layouts, you will know exactly…

  • How to make stunning embellishment gatherings.
  • What’s missing on your page.
  • Which embellishments to use.
  • Where to put your embellishments.
  • When your page is complete and it’s time to stop.

Gathering Embellishments

Gathering embellishments — in other words, layering them or clustering them — is a particularly good way to draw people into your page and make them want to stay and look a lot longer. Some of the ways to do that are to…

Gather embellishments into a frame around a photo.
right_now_you

Tap Dance for Money - right side

Make a cluster of contrasting embellishments on a line or in a space that needs more visual weight or color.
"Ish"

Soften lines and form an implied directional curving line with your embellishments.
N 38

Today we’ve released a video tutorial to the Paperclipping Members that demonstrates all of these things and more. You will get to see me gather and place the embellishments for three of these four scrapbook layouts. You may watch the trailer by clicking the video below:

Loading the player …

Are you ready to watch the entire tutorial? If you are Paperclipping Member, please login to the Membership Area to watch it there, or find it in your iTunes library.

If you are not a Paperclipping Member, you can find out about membership by clicking here!

The One Thing That Will Make the Biggest Impact on Your Scrapbook Layouts

Thursday, April 21st, 2011

Oct2010 1276

Is there really just one thing you can do that will have massive impact on your pages and get people to look every time? I’m happy to tell you there is, and any scrapbooker with any budget can do it.

I love finding ways to get massive results with less time, effort, and resources. When I was young I figured out the one simple thing I could do to make my room feel and look relatively clean (and keep my mother off my back)!

My bed took up a large percentage of my floor space, even though it was only a twin. I figured out that all I had to do was make the bed and suddenly my room felt clean, even with the same amount of stuff all over my floor and desk. The bed is one big flat surface and even with my messy floor, a made bed alone would make the difference between a room that looked decent and a room that looked like a disaster.

Is there an equivalent power in scrapbooking? One simple improvement that will make enormous impact overall? Absolutely! And I can’t wait to share it with you!

The One Small Change that will Yield Massive Results

No matter what your scrapbooking style, the one thing we can improve that will make the biggest impact is our photos! We could add all kinds of new scrapbooking skills or buy all kinds of awesome gadgets or beautiful supplies, and while those improvements will be great, they won’t make the same impact as two basic improvements in the photos we take.

As I’ve worked with scrapbookers, I’ve found two common areas that amateur photo hobbyists can improve, even without buying a new camera:

  • Exposure
  • Composition

Brighten Your Photos

During my Holiday Photography Tips course that I’ve given to the Paperclipping Members in the past, I found myself saying one thing over and over again to those who had requested feedback: Bump up your exposure! This is such an easy improvement to make!

Whether you learn to get perfect exposure straight out of the camera, or you boost the exposure in your post processing (which is what I usually do), this one thing will take a dull photo and transform it into one that will draw people in and make them want to look. I boost the exposure of a huge percentage of my photos when I process them on my computer.

izzy's camera  3638 - Version 2

izzy's camera  3638

Learn Good Composition

If you don’t get lots of compliments on your photo by lots of different people (and I don’t mean from the same two people, but from a variety who don’t know and love your children as much as your mother does), then you could probably benefit from learning to frame your shots differently.

There is a difference between a person who takes pictures and a person who captures emotion, beauty, movement, and life. Good composition will make people fall in love with mere strangers in photos. Photographers who compose well are showing us a view of the world that is different from how we normally look at it.

When you see great photos from others, pay attention to how the photographer composed the shot compared with how you typically compose.

  • How high or low was the photographer in relation to the subject?
  • At what angle did they take it? And don’t be fooled! To an untrained eye, many shots that appear to be straight-on are actually at slight angles.
  • How did they use the lines of the surroundings?

Trinity Dances at a School Fair

Aiden's Paper-folding Party

Aiden's Paper-folding Party

2010-06-02 at 19-01-11

To take great photos, we must learn to see differently than everybody else. It’s not hard to make a few improvements in this area. It just takes a bit of practice and learning.

Those two improvements — exposure (easy!), and composition (a little harder, but doable!) — will have a massive impact on your photography. And this, in turn, will have a massive impact on your scrapbook layouts. You don’t need a new camera to get this (although the camera and lenses do make a difference). You don’t have to buy new scrapbooking tools and updated supplies. Just take the camera that you have, brighten your photos with better exposure, and learn to frame your shots in a way that makes even the most everyday subjects look beautiful and intriguing.

Want to get started? Here are some photography-related video tutorials available in the Paperclipping Membership right now. Sign up here to get access or head over to the Member’s Area or iTunes if you’re already a Member.

Paperclipping 112 – Summer Photography Tips
Paperclipping 82 – Fix Bad Photo Lighting
Paperclipping 34 – Working With Levels

This Week At Paperclipping

Don’t Miss It!

  • Paperclipping Video Tutorial – Next week’s video tutorial will be all about embellishment gathering and layering! Get your membership before we release it!
  • The Digi Show – Look for it to release soon!

How The Heck do you Actually Incorporate Design Principles into Scrapbooking?

Tuesday, April 19th, 2011

Bridge to Canyon Lake

Karen is a long-time Paperclipping Member and I remember conversations we had a handful of years ago where she was struggling to understand how it works to actually incorporate the design principles she was learning from the tutorials.

Despite her confusion and frustration, she kept learning and working on it and has come a long way!

This concept can be confusing at first, so I wanted to share with you a very recent conversation Karen and I had in the comments of a blog post last week, now that she’s beyond that initial period of struggle. So below is that conversation and then more of my own thoughts regarding the balance between working intuitively and thinking consciously about the principles of design.

How to Incorporate Design Principles Into Our Scrapbooking

It’s not mechanic. It’s an art. In this conversation you’ll get a great idea on how many of us actually use those principles.

Karen: I am one of those people who learn something, internalize it, and then follow my gut. It doesn’t work for me to sit down and take a logical, linear approach to design. I allow the design principles to work through me so I can stay “in the flow,” and then go back and tweak as necessary. :)

Me: It’s a kind of organic thing for me. Much of the time I’m doing things from my gut, but because of my position, I need to explain it, so I go back and analyze why it was that I wanted to do something. Then I go — “Oh yeah, it used such-and-such principle!”

Other times it’s an intentional decision — I want to accomplish z, and I know the principle that says x+y=z, so I’ll choose to do x+y if it feels good to me.

And then there are the times when I’m trying to make a decision. I loved the first journaling block that I showed in this video for my Swingset layout but something was keeping me from committing to it. I happened to be working on my design course at the time that I was making that page and I was thinking about the principle of repetition, when suddenly it occurred to me that the other journal block (the one I ultimately used) would accomplish repetition. So I tried it and it made the page feel complete for me, so I did it!

I think I go from my gut a little more often than starting from a specific principle.

Swings & Slides

Karen:
Noell–your response to me was so helpful to know–thank you. I always knew I loved learning the design principles in isolation because I wanted to know WHY a page or layout worked. That said, as a non-linear thinker and creator, I wasn’t always sure HOW to put them together.

Remember how I’ve posted over the years about not trusting myself to create and then getting stressed? Well, it wasn’t just getting overloaded with ideas from magazines–it was also starting a page by thinking, “Okay–I need to have balance and unity…hmmmm…is there flow? Did I do the rule of thirds?” I’d just get bogged down in sequencing design principles and that didn’t let itself to any sort of creativity.

Now I TRUST that I really have internalized them after a few years of studying them. I asked myself, “What works for me to start a layout? What’s my process?” Once I figured out my starting point, which is where to place the photos, that made a big difference because other decisions flowed from there. I just am so excited to create from this place–this place of trusting myself and knowing that I can tweak along the way.

So when you asked on your blog, “What do you know want to know about design?” I wasn’t sure how to answer. I was thinking, “I want to know how to put it all together….without thinking about it too much and stifling my creativity but still being mindful.” But that seemed a bit jumbled. I am really aiming for mindfulness in my scrapbooking–paying attention to the process without being attached to the outcome. I’m on my way….:)

Me: The more you practice and internalize design, the more certain things become a part of your gut instinct, too.

Also, I can’t emphasize enough the one most important thing — know what your story is before you start making any choices. Just knowing the story — including the mood, feelings, tone — is all you need to do to be in the frame of mind to choose design principles that will help you tell the story.

Internalizing the Principles

The more you use a principle, the more it becomes something you do from the gut without having to think about it consciously. For example, when I see a blank canvas, layout, or when I’m framing a picture, I naturally see the lines and intersections of the Rule of Thirds, which is framework for placing focal points and lines in a way humans naturally find most visually pleasing.

you_up_close

Sensitive-Heart

rainbow_in_my_closet

I don’t consciously visualize the lines, but I intuitively know where those lines are and I naturally want to put things in those places. And yet, there was an actual time when that was not natural to me. There was specific day when I learned this principle (I think I learned it through photography) and I began to try it.

And I began to see it in other photos and good designs.

And it wasn’t long before it was just a part of how I see things.

Don’t Use All the Principles All the Time

You don’t need to. You don’t want to. I consciously turn to my knowledge of design mainly when things aren’t working right and I need to figure out why. The answer comes to me. But this takes practice, so be patient!

Analyze other good visual designs until you can identify the principles that make them work and what the design is communicating.

Much in design will come naturally over time as you…

  • Learn
  • Analyze other good designs (photos, layouts, art, etc)
  • Practice
  • Trust yourself, as Karen said!

Ready to Learn?

I dig deep into design for the Paperclipping Video Tutorials, much deeper than what you typically find for scrapbookers. It’s all right here, waiting for you!

How to Make Lines in Photoshop Elements – Paperclipping 164

Monday, February 28th, 2011
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I love starting my scrapbook process on my computer with a few simple digital tricks before I print my photos and finish the rest of the scrapbooking with paper and embellishments. I decided to share with you one of the more common elements I add to my pictures — lines.

In today’s video tutorial for Paperclipping Members I’ll show you the different ways I most often use lines, and how to add them, especially using the line tool, which can be surprisingly tricky if you don’t know the few unusual quirks and limitations of the tool. Once you know them, though, you’ll love adding lines to your photos!

If you’re a member you can enjoy your episode from the Member’s Area or on iTunes. Or, if you’ve been thinking about a Paperclipping Membership, now is a great time to join! You’ll get instant access to 164 tutorials! And very soon you’ll receive the new Design Course for members in addition to the regular two episodes per month! Find out more by clicking here!

Below are the layouts from this week’s episode . . .

4 July

4 July
Typed journaling on left reads: This was the year that I realized 4th of July is a guy’s holiday. It was our first Independence Day away from Arizona, which means that for the first time we could shoot our own fireworks. We found a tent and started shopping. It was the boys who did all the picking and I could almost taste Izzy’s excitement (along with Blake and Aiden’s). What a revelation. We’d love to be in Missouri most years from now on. We spent the 4th at Mom and Dad’s and then shot more on the 5th at the Martineau’s.

Handwritten journaling on right reads:
We shot late into the night. The younger girls kept their ears covered! Sidney kept running inside (and inviting Trin to join her).

Blake shot off most of the fireworks (running with fear of the unknown after the first one!). Aiden was right in the smokey stuff.

(For larger view: Click on layout then > Actions > View all sizes)

Favorite Supplies Available: Tim Holtz Metal Numbers and Apron Lace Border Punch.

The Joy of a Painted and Decluttered Room

The Joy of a Painted and Decluttered Room.
Journaling to my three kids reads: Aiden had been playing with almost none of this toys but there were too many of them and they were everywhere. We took every single toy out of the room and put them in the living room. Then we painted your bedroom . . .

Now for the test: We kept these toys out of your room for a day or two and let you see what it feels like to have a clutter-free space.

It worked . . .

You guys played in those empty cubbies. Your clean bedroom became your favorite spot. And when I asked Aiden to pick just the toys he most wanted to keep he picked a few things and told me to donate the rest!

Favorite Supplies Available: Journaling Cards from Twig line by Little Yellow Bicycle.

(Affiliate links where possible).

Get the Tutorial!

What do you think? Would you like to be able to add lines to photo collages in order to separate the photos without cropping them manually? Would you love to add lines as a border for typed journaling directly onto the photo? It’s such a great way to add more focus to your favorite pictures!

Click here to find out about membership where you’ll learn how to do this and a whole lot more!

How to Inspire Thanks Through Your Photos

Friday, November 12th, 2010

April  4553

Family Time: 2010 Photo Review

Last night I gathered my kids around me to look through our 2010 photos. We laughed. We remembered things we’d forgotten. We had a good relationship-building time. You can remind yourself and your family of all that you’ve had to be grateful for this past year by reviewing 2010 through your photos.

Benefits:

  • You’ll find out what your family’s favorite memories are, along with your own. You can prioritize the favorite memories as your upcoming scrapbooking projects.
  • It’s a great way to collect information and details that you yourself forgot or didn’t know. Your family members will naturally offer many of the details without you even having to ask!
  • You, yourself, will remember details that you can add into the metadata of the photos.
  • You might realize a different perspective on events by listening to their observations, reactions, and stories.
  • It’s fun! And it’s a great reminder of all the good in your life.

Set Yourself Up for a Great Viewing Experience

We do this activity right from my laptop. I LOVE viewing photos from my computer, and so do my kids. I usually hear people talk about viewing photos on computers as a negative experience — quite the opposite of my own. Maybe it has to do with the way you manage your photos?

To make your computer-viewing experience pleasurable, make your favorite photos viewable in a spot that is separate from your less-than-favorite photos. Here’s how . . .

Create Quarterly Digital Files or Albums for Fave’d Photos

Every photo manager is different. I’ll explain how mine works and you can look at your photo manager to see how to do the same thing. I’ll share two other options, as well. Hopefully your computer or your manager will have at least one of the three options.

Option 1: Photo Manager with Sub-folders
Here’s how I do it . . .

  1. Yearly Projects or Folders – Within my library of photos, I create Projects for each year of family photos. I keep all of my family photos for the year — the great as well as the not-so-great — within that one project.
  2. Albums or Sub-folders -I then create albums within my yearly projects. I make four quarterly albums, plus an additional December album, since there are so many photos from December. I want to be able to easily see December photos on their own.

    My photo manager allows me to place pictures from my yearly projects (or folders) into my albums (or sub-folders) without actually moving them. This means I can see my favorite photos in both places, whether I’m looking in the first quarter album for 2010 or the Project for all of 2010.

    This way, you can enjoy all of the best photos without having to weed through the clutter of all the bad ones. It’s an entirely different experience to view photos on your computer when you only see your favorite photos. These are also the photos I choose from when I am scrapbooking.

Option 2: Smart Albums or Smart Folders
Another option for placing favorite photos in their own sub-folders while still keeping them in their main fodlers: Smart Albums. If your computer has the ability to create smart albums, you can give your favorite photos a specific rating of your choice. Then you create a smart album with the following criteria:

  • the date (ie. 2010; or January February March 2010)
  • the ratings you assign your favorite photos.

Option 3: Completely Separate Favorite Photos from the Rest
I don’t like this option as well. I only recommend doing this if there is no way to view a photo file in two different place like I explained in the two options above. But if your computer or software does not offer those functions, it’s still worth it to do option 3 and be able to view your favorite photos on their own.

Just make a folder for the year (or the quarter/year) with your favorite photos, plus a separate folder for the year and call it, “Non-Favorite Photos 2010.”

Hyman Family Favorite Memories from 2010

I was surprised to find out what my kids’ favorite memories were so far. Most were not the ones I would have expected. Now that I know what made them most happy, I want to make sure I scrapbook them over the coming year . . .

Gatsby’s Crazy Tongue
April  4555
_MG_4550

Karaoke
2010-03-12 at 22-02-59

4th of July
July 705
July 725

A Newly Painted + Decluttered Bedroom
2010-03-13 at 10-42-17
I’ll admit it. This last one may have been one of my own favorite memories.

Weekly Roundup

The One Thing You Need To Do to Be Creative

Wednesday, October 13th, 2010

2nd_office_11
In the scrapbooking community, people are always making blanket statements to readers that we are all creative. I don’t know how many times I’ve read on a blog, “YOU’RE CREATIVE!”

Do you ever feel like it’s just a bunch of RA-RA? Self-improvement feel-good hype?

I want to give an explanation for WHY every single person actually does have everything they need to be creative — really truly. No hype.

What makes something creative?

I’ve come to the conclusion that every new and creative innovation, large or small, comes from one act: the act of combining things that have never been combined, or that are not commonly combined.

In other words, creativity is the pairing of two or more things together.

What kind of things? Lots of kinds . . . .

  • ideas, beliefs, thoughts
  • techniques in any field of interest
  • styles
  • items
  • purposes
  • sollutions

That is the principle of creativity — pairing things that already existed independently of each other. Most commonly, it involves taking something that is already common to a group of people, and combining it with something from our own individual experience.

Let’s move away from the abstract talk now and get concrete with some examples. Here are some examples of my own little acts of creativity, broken down into the two or more combined things . . .

Coffee Sleeves Book

2nd_office_1
I took two common things/ideas . . .

  • a mini-book bound with book rings
  • using everyday disposable items

and combined them with my own common experience . . .

  • coffee sleeves

It took no great act of thought. I was writing at the coffee shop almost every day and feeling wasteful with all the disposable cups I use. At the same time, I wanted to make a book that tells the story of my writing excursions. The book seems like a totally logical and obvious conclusion once you think about it.

Tags, Wires, and Beads

hyman_tribe_closeup
One time I saw Ali Edwards take a circular stamp filled with journaling lines, and stamp it four times in a row, each image touching slightly. Then she journaled, using those four stamps as one big journaling space, instead of four separate ones.

I’m pretty sure I took the idea of combing multiple spaces and using them as one when I decided I needed a way to use up my tags . . .
hyman_tribe_closeup
I combined at least five things to come up with this . . .

  • the idea of turning multiple spaces into one space
  • my need to use up some tags
  • the need to link the tags
  • my love for wires
  • swirls and wavy lines

Later on, I took my wavy wired tags and combined them with . . .
socks

  • my love of beads
  • Glimmer Mist and Distress Ink
  • the act of layering handmade embellishments
  • my heavier wire and the problem-solving realization that the wire doesn’t have to go through every tag

socks_closeup_tags

Why Every Person Has Creative Abilities

Creativity is not the act of making something totally new. Because it’s only a matter of combining something that already exists — even something common — with something else, anyone can be creative. You can take your own life experiences, your own beliefs, thoughts, personal tastes and interests, and bring them together.

Sometimes I do this on purpose. I look for an item in my stash that is totally unrelated to the item I’m already working with, and then I figure out how to combine them. It’s a great exercise in creativity and a good way to get excited about something old and stale that’s been sitting in your scrap area for too long.

But more often, I’m just putting a little bit of myself into something a lot of people are already doing. Making it my own. We can all do that! All it takes is paying more attention to yourself and a little less attention to everyone else. That may sound selfish, but it is such an unselfish thing to share!

It requires a tiny amount of risk if you’re used to relying on other people’s designs for your scrapbooking or crafting.

It means taking a little time to think.

And it very often happens when we have a problem we need to solve. But that is the topic for a future article to come.

Weekly Roundup

  • Extra Member’s Content - As part of our birthday celebration, I gave our members an audio discussion I had with Lain Ehmann on using design and photography to tell our stories, and on choosing decorative items with intention. If you’re a member and haven’t heard it, be sure to refresh your iTunes account or check the Member’s Area! If you’re not, you can learn about membership here.
  • The Paperclipping Roundtable - I Fought Sorting By Color
  • The Paperclipping Digi Show - Purple Is A Death Sentence

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Izzy will be making his very first scrapbooking project! You’ll want to see this!

Scrapbooking Ideas Come Easy When You Understand Design

Thursday, September 23rd, 2010

Atlantis

I got an email from someone who recently discovered Paperclipping and, since so many of you are trying for better design expertise, and some of you are struggling with the same fear as she is, I wanted to share her question and my response:

I love your tutorials. I am too scared to scrapbook, even though I want to do it so very much. I know some of the basics of design but can’t tell myself if I did the right thing. Would you please incorporate a video with some example showing right/wrong.

There really is no wrong! If you like it, it’s right.

BUT, I understand that sometimes we don’t like it and we can’t figure out WHY. This is one of the coolest things about knowing design principles: it becomes easier to figure out why something isn’t looking right to you, and what to do about it. Another of the coolest things is that design principles help you come up with scrapbooking ideas much more quickly!

But here’s the thing — you won’t get it down by learning about a principle once. It doesn’t work that way. Here’s what it does take, and here’s what you can do with the Paperclipping Video Tutorials to help you really master the use of design in your scrapbooking and papercrafts . . .

How To Learn To Use Design Principles

  1. Learn about a principle by reading about it or watching a Paperclipping Video Tutorial.
  2. Analyze great-looking scrapbook pages, cards, and other designs to figure out what principles are helping them look great.
  3. Practice using the design principles yourself.
  4. Analyze what you made that you’re not happy with, trying to figure out which principles you could employ.
  5. Learn more principles, since understanding one will often help you understand another, or review principles you already know.
  6. Analyze more scrapbooking pages and designs that you love to figure out what principles are helping them look great.
  7. Practice using the design principles yourself — again.
  8. Analyze what you made that you’re not happy with, trying to figure out which principles you could employ . . .

Are you seeing the pattern?

Learn * Analyze * Practice * Analyze * Learn * Analyze * Practice * Analyze * Learn * Analyze

You can’t just read about a principle. You can’t just watch a video. You need to analyze and practice, and then do it again. If you wait to scrapbook until you get the principles down, you’ll just never get them down at all! It takes doing.

And it’s okay to make something you don’t love (I do it a lot), to figure out what you would differently next time (I do that, too), and then put the perfectly imperfect page in your album and keep trying!

It’s a learning cycle.

Before and After Videos

I have at least two video tutorials where I analyzed layouts I didn’t like, identified some helpful design principles, and then employed them.

If you are a Paperclipping Member, you can re-watch these episodes as a reminder. Do you wish you were, but aren’t? With 153 episodes, many of which discuss design principles, you will learn to to make scrapbooking ideas and fixes come easily!

Weekly Roundup

Heads Up!

How To Get More Impact With Less Effort

Wednesday, September 1st, 2010

impact_images

A couple weeks ago during Paperclipping Live!, an audience member suggested I place a flower underneath the metal clock that I would be adding to my page as an embellishment. I love the idea of placing a metal clock on top of a soft flower — that is exactly the kind of contrast-layering that excites me. But I didn’t want to do it this time. Why not? I explained to the audience that because the paper underneath was a busy floral pattern, the flower would have little impact. It would look fine, but it’s curving petals would only be minimally detectable above the curving lines on the patterned paper.

Then I showed some patterned paper with graph lines — monotone paper with straight lines that would contrast with the curving organic lines of the flower — and explained that setting the clock on top of a flower, on top of the graph paper, would have great impact! It would definitely be worth it in that case!

This is a concept Izzy and I use for business decisions, and it’s one I have often used while scrapbooking, but I never thought to actually verbalize it until that night during Paperclipping Live! At that moment I decided to make it another of my scrapbooking mantras . . .

Invest in actions that cause maximum impact with minimal effort.

You have a finite amount of time, resources, and attention. How can you focus on the actions that will make a difference?

  • Ignore the temptation to keep adding embellishments, just because you have embellishments that match the colors or the theme. If the page looks good with what you’ve already placed on it, call it done and move on.
  • Use fewer photos on your scrapbook pages — just enough to tell the story. Satisfy yourself with enjoying the rest of the photos on your computer, on your blog, or as a framed slide show.
  • When deciding whether to fix something that isn’t as perfect as you wish, determine how impactful it would be to “perfect” the problem. If it would make a huge impact, it’s probably worth the effort. If the impact would be small, then why bother?
  • Buy scrapbook items that are versatile for a number of layout subjects, rather than specific themed subjects. Buy letters stickers in classic fonts, and in colors like black, white, or brown –colors that will work on any page, with any color scheme.

Next week’s video tutorial will highlight one product I have used again and again, in multiple ways, and with multiple styles. It is a tiny little embellishment that has had enormous impact!

This episode will be for the Paperclipping Members. Now that you know the topic, you can decide if this is the right time to get your membership, and whether a membership will be the impact you need to make your scrapbooking even more personal and more unique. Take a look at the details here.

Weekly Roundup

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free?

Last week, one of the Paperclipping Members, Karen, was feeling stuck and unhappy with a few layouts. She took advantage of my offer to Paperclipping Members: If you have a design problem, you can send me a picture of your layout and a description of what is bothering you. I will share your page with the audience during Paperclipping Live! and give you some personalized design tips. You don’t have to be present during the live show — there will be a recording for you to watch when you’re available!

Sometimes we can use a little help applying the principles in the videos to our own projects. I want to make sure our members get as much out of the videos as possible! And if you’re not a member but have been enjoying all the other stuff we have going on around here, I want to thank you for participating and contributing your own thoughts and ideas!

Best Regards,
Noell