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March Challenge Highlight: Tambur

Tuesday, April 12th, 2011

Congratulations to Tambur! There were quite a few entries this month and they were so fun for us to look at! We’re excited to share what we particularly loved about Tambur’s layout.

tambur_march_challenge_highlight

The Journaling

There are a few of you who are light sensitive. I don’t know if that is because you have green eyes (and you know who you are) or if you just have some extra sensitivity to light, but every time we are outdoors and I ask for a picture I get blinkers.

*Snap – Blink.
*Blink – Snap.

What the judges said:

This layout has it all…. strong design, interesting title-work, cute photo and most importantly — a fun story. We love the colors, which highlight the real subject of the story (the kids) instead of the beach. The beach is incidental to this story, and Tambur caused it to fade, making it a nice backdrop that doesn’t distract from her point.

The pop of vibrant red makes the page come alive, suggesting the energetic tone that coincides with the witty and playful teasing in her journaling.

Tambur’s choice of a numbered bingo card unifies the page with the 1.2.3 in the title. Her scattering of flowers breaks up the lines, adds balance, and draws the eye around the page from the photo to the journal block.

Find Tambur!

You can visit Tambur at her page in our community. You can also go visit her on her blog!

Join the Challenge

If you get inspiration from all the stuff that goes up on Paperclipping, how about putting it to use and joining our monthly challenge? The April challenge is up and there’s plenty of time to join! Wait until you see the entries so far. Awesome!!

Many thanks to our Challenge Coordinators and Judges: Lesley, Suz, and Kristyn!

How to Use Embellishments to Balance Your Layouts – Paperclipping 167

Monday, April 11th, 2011

XOXO (iPhone Google Searches)

Do you sometimes struggle to make your asymmetrical layouts feel balanced? What if you knew some tried and true tricks? And what if those tricks also told you some great spots and ways to use embellishments?

I love asymmetrical layouts. They fit my personality much more than symmetrical ones. But many people find it very difficult to make them feel balanced. You will know how to balance your own asymmetrical pages if you have a good understanding of visual weight.

Visual Weight

Visual weight is about perception, not actual measured weight. We perceive certain things to be heavier and lighter, even if their actual real weight is exactly the same.

  • Black is heavier than white.
  • Dark colors are heavier than light colors

If you have a big area of papers and photos on the lower right, for example, and your page looks like everything is heavy where all your layered items are, you can balance your page by placing a relatively smaller dark embellishment on the other side.

Black to white and dark to light are just two of the many ways to distribute visual weight around your pages. I shared seven more ways in this week’s Paperclipping Video Tutorial, all revolving around how you can use the principles with embellishments.

Not only will these design tools help you create a sense of balance in your pages, they’ll also help you to –

  • identify what embellishments will be great to use on your page
  • know the optimum places to put them

XOXO closeup

If you’re not a Paperclipping Member, start with the two principles of weight that I listed above and practice with those. You can also watch the trailer to the Member’s episode by clicking play on the video below.

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If you like what you see and want to see more, please visit the Membership Information Page. Paperclipping Members now have 167 video tutorials like this one and get two new ones every single month! I think you’ll love being a Paperclipping Member!

If you’re already a part of our group, you can either watch your tutorial from iTunes or by logging in to the Member’s Area at the top right corner of the site.

Layout Examples

Above and below are scrapbook pages that are examples of how I’ve chosen and placed my embellishments for the specific purpose of balancing my asymmetrical layouts.

Please excuse the glare on the next two layouts — it makes my kids’ faces look grainy and spotty.

Am I There Yet?

12×12 layout
Am I there Yet?

Journaling reads:

It started this school year. You could see that you were growing fast and getting closer and closer to my height. So every few days, all year long, you’ve been doing it.

Right before leaving to school you run up to me to see if you’re as tall as me yet. And every time you say, “Dang it!”

:)

“Ish”

8.5×11 layout
"Ish"

Journaing reads:

I love this word that you made up by accident . . . “ish”

Is it raining? “Ish.”
Are you hungry? “Ish.”
Was dance hard today? “Ish.”

FYI – English is a living language. Why not turn a suffix into its own word?

I knew exactly what you meant the first time you used it. It works!

Slides & Swingsets

6×12 + 12×12 layout
Swings & Slides

Journaling reads:

Aiden saw the top picture of me on the slide and said, “That’s what your slide was like? You wouldn’t be able to go very fast on that. You would stick going down.”

I don’t know if he’s correct about the speed, but I do know that where we lived in Arizona, I wouldn’t have been able to play on my metal swing set and slide from May to October because they would burn with heat. And if you swung too high a leg of the entire set came way up off the ground, causing the entire unstable contraption to tilt forward or backward.

To this day, though, these striped metal swing sets are what I picture whenever I conjure up the idea of a set. I don’t picture the new plastic and wood ones we have now.

I realize as I write this that I’m saying, “new,” but in reality these wood and plastic sets have been around for over 13 years and maybe much much longer. I don’t know when it all changed.

Last I knew, all swing sets look just like my childhood one. I grew up and swing sets exited my life until I had my first child. It was when he was a toddler that I discovered these modern, safe, static-hair-inducing play areas, and that they had completely replaced what I had always known to be a swing set.

XOXO – iPhone Google Searches

12×12 layout

XOXO (iPhone Google Searches)

Journaling reads:

The things Izzy has googled
on his phone
over the last six months,
often while he + I were out for the evening,
questioning each others’ “facts,”
or wondering about the world
and asking lots of question –
how, what, and why.

Some tell the stories
of activities we participate in,
the food we eat,
and the places we like to go.

Others tell you about the
music we’re listening to,
the shows we’re watching,
and the entertainment we enjoy.

Embossed Multi-toned Background
This background is one of my favorites. I demonstrated how I made it in Paperclipping Episode 146 – Easy Altered Backgrounds.

What Do You Think?

Like the video? Wish you could watch the video? You can get it and all the others now for a price that is too low (and that I expect to go up) for so many tutorials! Please read about how you can get your own Paperclipping Membership here.

Communicate with Space – Paperclipping 165

Monday, March 14th, 2011

Most of us are giving all of our design attention to the actual scrapbook items we’re putting on our pages — the cute embellishments, the patterned paper, the ribbons and photos. But did you know the space around those items are just as important to the impact you make on viewers? In fact, the space around your items communicates certain messages!

I’m excited to show you many of the different messages you could be communicating by actually moving stuff around on one of the layouts below. The size of your spaces say a lot. Click the video player below to see the trailer for the scrapbook design video tutorial.

Loading the player …

If you are a Paperclipping Member you can head over to iTunes or to the Member’s Area to watch now! This is a design principle that can have an impact on every scrapbook layout you do from now on, no matter what your scrapbooking style.

If you’re not a member but you’re ready to understand why some designs work and some don’t, please click here to find out how you can get the tutorials!

Below are the layouts I featured to demonstrate the design principles…
Yum.

edison_music_box

The Joy of a Painted and Decluttered Room.

4 July

If you’re ready to get your membership and begin watching any of the 165 video tutorials, please visit the Membership Information Page to see how to sign up or learn more!

Scrapbook Designs // Designs that are Truly You!

Monday, March 7th, 2011

Not Real?

I found this layout photo as I was looking through my photo manager in a small album of scrapbook pages I’ve never made public. I made this page in 2008 but have never shared it online until today.

Why not?

I made it for the Memory Makers Magazine Masters contest. They required that we send one actual layout, in addition to photos of other layouts. Those of us who didn’t win the contest never got that layout back. There would be too many submissions to return so they threw them away. We knew it ahead of time when we chose to enter the contest. I didn’t win, so I don’t have the real paper version, which means I’ve never been able to use it in a Paperclipping tutorial. That’s why the layout has been in hiding all this time until I found this digital photo last week.

I’m glad I have a picture of my page. Three years later I still love it. The product combination is unexpected. The color palette is not very common. Both of those characteristics are me. The only thing that is atypical of me is that line that cuts the page in half. I never do that — I always place my lines off-center.

But I even love the centered line on this page. It allowed for a full half-sun halo around Trinity’s head. It draws the eye right to her sweet little face. And it acts as the solid anchor piece to all of the other elements, which either lie at slight angles, move in arcs, or jut out from the side. I love this page.

I also love the details, which again, are all very me…
Not Real Closeup 2

  • My technique of cutting away just a part of an image and placing a foam-dot adhesive underneath so that it grows out of the background, as you see with the large flower that overlaps the photo — Paperclipping Members can learn this technique in Paperclipping tutorial 145 – Two Stamping Techniques.
  • Layering a blue-green flower underneath the cutout of the flower in the circular piece of paper so that it peeks through.
  • Clocks that symbolize age and time and how we learn about the world through experience as time passes along (see the story in the journaling below).

Not Real Closeup 1

  • Detailed images I cut from patterned paper. I love detailed cuttings like these. I also love to make them glossy like I did with the flowers above. Members can also watch Paperclipping 52 for another embellishment technique episode on making firm but flexible, glossy 3D embellishments from patterned paper scraps and rub-on’s — Create Your Own Embellishments.
  • One of the things that makes me happiest is to mix patterned papers you would never expect to go together, especially when they come from my scraps. I love it while I’m doing it, and I love to see it on an old layout that I find, even three years later, like this one. That little glimpse of those layered scraps in the picture above makes me swoon. If you’re a Paperclipping Member, you can review the principles for mixing patterns by watching Paperclipping 59 – Mixing Patterned Paper.

Not Real Closeup 3

  • Of course, there is metal, which I softened by layering a romantic paper flower underneath. I used this flower duo to “pin” the photo down. It’s an anchoring technique. I also anchored the photo with the title, as well as with the purple line at the center of the page (see top photo). These are just three of the anchoring techniques I shared in the design-heavy tutorial, Paperclipping 5 – Anchoring Elements to the Page.

Journaling reads:

Trinity — You thought there were swimming pools on the tops of those 70′s-80′s vans with the ladders going up the back. Why else would a ladder be there?

Well guess what? I used to believe Jesus lived in the moon, sat at a desk, and wrote with a feather pen!

I’ve never figured where I got my Jesus-belief. But I did discover the source of your pool-van fantasy. I was reading the Richard Scarry “Gold Bug” book and found a drawing of one of these vans with a pool on top.

How were you supposed to know it’s not real?

Have You Looked Back at Old Layouts Recently?

This was just a chance discovery for me — finding this layout picture after all this time. It’s awesome to see the specific things I still love doing three years later.

If you’ve been scrapbooking for a while, try looking back at layouts you made three years ago. Three years is close enough that products and techniques are still pretty fresh, but also old enough for lots of growth to have happened since. What things do you find that you still love to do now as much as you did back then? What well-loved techniques have you forgotten about?

If you’re not yet a Paperclipping Member and you’re curious about the techniques and design tutorials I mentioned for this layout, you can click here to learn about the 164 videos you’ll get immediately when you sign up, plus two more every single month!

How to Be a Better Scraplifter

Thursday, March 3rd, 2011

Somersaults-with-Dad

Last January I scraplifted for the first time in five years. Maybe more. It was just one innocent lift of a class assignment from Ali Edwards, but then that spiraled into five! Over the the next few weeks there might be a few more, too.

Why did I stop scraplifting in the first place, and why have I started again?
Well, if you’ve ever scraplifted, you might have run into a few frustrations. Have you experienced the following?

  • Your lifted version didn’t capture the look that you loved so much in the original and you don’t know why.
  • As much as you loved the original when it belonged to so-and-so awesome-scrapbooker, it feels uncomfortable now coming from you. Your page looks just as great as the original, but that original page fit the original scrapbooker’s personality. It turns out it doesn’t really fit your own and you have a vague sense of discomfort (or worse).

Do either of these sound familiar?

Way back before we started Paperclipping I decided I didn’t want to lift other people’s pages, in part for those very reasons. I set out to master the principles of design, become a truly independent and self-reliant scrapbooker, and learned to find my own style so I could express myself through the design of my story.

That’s what the Paperclipping Video Tutorials and membership are all about — expressing yourself by knowing how to design your own stories through visual communication!

Then I Took Ali’s Yesterday & Today Class

I don’t have a lot of time to devote to other people’s classes. So when Ali gave out her assignments for her class starting last January, and I knew I needed to do be able to do them quickly because of my other obligations, I decided to lift again. And here’s the reason I am enjoying scraplifting so much more now than I did years ago –

Scraplifting works better when you have a solid grasp of design principles.

Even if you don’t struggle with the two frustrations I listed above, you will find scraplifting to be much easier and fun if you understand the principles of design.

Here are some examples of why:

  • You’ll know which designs will be better at communicating the appropriate tone for the story you have to tell.
  • You’ll know why something that worked on the original layout isn’t going to work on your own because of the differences in your photos, your supplies, or your story.
  • You’ll recognize when the colors of your photos will create an off-balance if you use the same colors of paper from the original.
  • You’ll notice ahead of time that if your pictures are a little more busy — if they have more people, for example — then you might need to adjust the types of patterned papers you’re using to compensate.
  • You’ll know how to adjust the weight of your lines, space, and the scale of your items to accommodate for any changes you make to the page.
  • And of course, you’ll know what changes you’ll need to make to feel like you own the story.

Last week I showed you a layout I scraplifted from Ali’s class. I shared the changes I made to meet my personality, story, and design needs. Below are two more layouts I scraplifted from her and her class. Again, I’ll detail my own adjustments . . .

The Facts and the Feelings (My Dad has Parkinson’s Disease)

The Facts and The Feelings  (My Dad Has Parkinson's Disease)

(Need to see a larger version? Click on the photo, then click Actions > View All Sizes).

Changes I made –

  • The entire right side of the page is my own design. Ali’s right side had one big piece of ephemera. I wanted to add photos that pictured the active things I remember my Dad doing before he got Parkinson’s Disease. I also had a lot more journaling than she did.
  • The journaling on the left page was much longer than Ali’s. I made my photo shorter in length so I could fit it, and then increased the scale of the digital word art, “The Facts and the Feelings,” to match the length of my journaling. I didn’t use the frame overlay that Ali used because it didn’t fit the dimensions of my photo.
  • I moved the “The Story” word art to a spot that balanced with my photo better, as well as to the right side of my page. There is a visual triangle of circles from the metal pieces on the left, to “The Story” at the top and finally to the “Courageous” metal piece on the right. There is also a visual triangle of yellow. This gives the page balance.
  • Because of my longer journaling, I didn’t have room for the strip of patterned paper underneath the photo that Ali put on her layout. It worked better for me to put it at the top of the right page instead. In that spot it unites the two pages together.
  • Ali’s main color was pink, whereas mine is yellow. There is a tiny hint of yellow in my pants in the focal point photo, and there is yellow hue scattered around the very bottom photo. Since those photos are farthest apart from each other in the spread, yellow was a good color to use to unite the entire group. Plus, it’s the color I most associate with my childhood.
  • These pages are 8.5×11. Ali’s were too, but she mounted hers onto pink 12×12 papers. I thought about mounting mine onto yellow 12×12′s but I didn’t really feel like it — I already like it the way it is. Since I didn’t see any papers in my stash that felt right I was happy to decide just to keep my pages unmounted.

Just to clarify — am I saying that my changes make the page better? No, not at all. No way. Huh-uh. I love Ali’s pages. I made my changes to suit the needs of my photos, my journaling, my overall story, and in order to be authentically me.

Here’s one more –

At Home

At Home - 14760 Lucinda Dr.

Changes I made –

  • The assignment was to choose completely random stories for this page. I wanted to tie my stories together. I’m the kind of person that sees connections where most others don’t (just a funny little quirk and benefit common to many of us with ADD!). I’m happy and comfortable with connections. I’m not as comfortable with presenting random and unrelated ideas. I chose a connecting tie for my stories. They all describe different aspects of living in my childhood home in L.A.).
  • In Ali’s original layout, her photos + journaling columns stretch from end-to-end of the layout and there was no title. I made a title instead of one of the columns. I used the Rule of Thirds to position the height of the title and arranged it as a horizontal line that directs the eye left to right.
  • I turned the page into an asymmetrical design by putting that title in place of one photo + journaling column. While Ali’s personality leans toward symmetry, asymmetry is much more in line with mine.
  • Ali positioned all of her photos above her journaling while I placed some of mine below. This is the kind of randomness I am comfortable with because the other elements of the design tie them together. I did this to add more energy. Also, it places more focus on the journaling than the photos, which works for me here.
  • I anchored my photo + journaling columns to the bottom of the page while Ali anchored hers along the top. (This means, mine all come from the bottom of the page and end at different heights on top. Hers are the opposite. My story is about home so I like the idea of the stories being grounded.
  • I changed the color sources. In Ali’s original layout, there was a space between the photos and their journaling. She put a strip of colored ribbon or patterned paper between each photo and it’s journaling column. Some of my stories were too long and I couldn’t fit anything in between. So I found a totally different way to add color. I used a cream background instead of white, which, again put the focus on my journaling. I added a transparency of blue circles to the bottom third of the page, and I made little blue houses.
  • I chose to go with just one subtle blue color, rather than multiple colors like Ali’s. This worked better to offset the fact that my photos are up and down all over the page. If I had used more colors or brighter colors, the page would more likely look scattered and unfocused. By using just one subtle color I added unity and harmony to the page.

(Note for those who take good detailed looks at layouts — I did intend to add numbers to the number section of the journal boxes. Turns out I forgot! I will be adding those numbers before I stick the layout into its album!)

Want to learn about design?

Design is the main focus of a Paperclipping Membership! You’ll learn techniques and get new concept ideas, but the biggest impact a membership will have on you is confidence, independence, and scrapbooking self-reliance! This is because my focus is on sharing the principles of design so you’ll know why things work the way they do!

You can start your journey toward design mastery and scrapbooking self-reliance. Just click here to begin!

Love of Skilled Beauty Creation is Natural to Humans

Friday, December 31st, 2010

In design we say to do things in 3′s. For some reason we happen to like things in three’s, whether they’re items lined up or they’re placed in an irregular triangle.

I tend to think we like items in 3′s because it seems more random and natural. Nature isn’t so well planned that it makes things even numbers like humans more often do.

But then that seems to contradict with the design need to anchor items so they feel like they have a home. In fact, a lot of the elements of design are there so the elements feel deliberately placed instead of stuck on the layout haphazardly.

Is this a contradiction then. Which do we like? Natural randomness or deliberate placement? Maybe we need a certain balance of both. We need things to look and feel natural enough — after all, we ultimately come from nature. But nature is also dangerous and we need to know we’re secure. So maybe we do want to see a little bit of random nature and a little bit deliberate human placement for security when it comes to art and aesthetics.

Or maybe it’s also skill. Somewhere in the midst of natural randomness, we want to see the skilled touch of the human hand and intelligent mind. That’s the theory of Denis Dutton. Click on the 15 minute Ted Talks video above to watch his very enlightening demonstration about universal human taste and our opinion of what is beautiful…

Scrapbooking with Scraps – Paperclipping 158

Monday, November 22nd, 2010

How often do you use your leftover scraps of patterned paper? I use them just about every single time that I scrapbook. I love working with my scraps. They’re the first place I go for patterned paper choices and only check my full-sized sheets if I need one for my full-sized backgrounds, or if I just can’t find the colors I need from my scraps.

Would you like to get more out of your patterned papers and their scraps? In today’s episode for the Paperclipping Members, I share design tips and principles that work great with scraps! I also share some scrap maintenance tips that make scrapbooking with them (and scrapbooking in general) much easier!

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If you’re not a member, please click on the player above to see the trailer. You can get this entire episode, plus almost 160 scrapbook topics just like this and more to come every month, if you join Paperclipping! Click here to see how.

If you are a Member, you can find this video in the Member’s Area or in your premium feed.

Below are the layouts that made use of all the design and maintenance tips I shared in the episode . . .

You: Up Close

12×12 layout
you_up_close
Journaling reads:

  • The way your eyes turn to upside down moons when you smile.
  • Your long curling eye lashes.
  • The sprinkling of light summer freckles across the tops of your pink cheeks.
  • The eye brows you inherited from Grandma Nancy.
  • The dimple in your lower cheek.
  • Your perfect, perfect skin.

It’s always nice when a person’s outward beauty reflects their inner beauty the way your does. <3

Supplies: The orange paper on this layout is on clearance with only 8 left! Other supplies: Pink and green velvet pleated flowers & my favorite white letters: Foam Rockabye Thickers

Edison Music Box

12×12 layout
edison_music_box
Journaling reads: Grandma Holt (Irene Nielsen Holt) gave us her Edison phonograph not long before she died. We call it the “music box” because that’s what she called it. It originally belonged to her grandparents. Since Grandma was born just after the turn of the century, that gives us an idea of how old the box it. It still works.

We have an old suitcase and a box full of was cylinders that play old turn of the century pieces, like, “Cute Little Wigglin Dance,” and “Hitchy-Koo.”

We love playing thee old songs, even the kids. It’s amazing to us that those folksy styles were the popular music of the time. It’s such a very different sound and personality from anything we’re used to.

Supplies: This beautiful stitched Anna Griffin paper is on clearance! I gave it a vignette effect by inking it with Old Paper and Walnut Stain Distress Ink, and an Ink Blending Tool. I used the same inks for the journaling block on off-white cardstock, but also added Vintage Photo. Other supplies: Vintage Metal Corners and Metal Philosophy Tags.

(Note: All product links lead to my affiliate store. I get a commission if you purchase through my links. Thank you!)

Sisters & Daughters

12×12 layouts
sisters_and_daughters
Journaing reads: I left my kids and husband at home this year to spend Thanksgiving with my parents and my sisters and their families. I loved getting to focus my attention on watching my sisters mother their children. Erin and Lindsay are great moms.

Ready to start your Paperclipping Membership? Click here to get immediate access to your videos!

Contrast and Embellishments in Scrapbooking – Paperclipping 156

Monday, October 25th, 2010

In this week’s scrapbooking video tutorial, I share the principles of design related to contrast and show how you can use contrast to help you choose, make, and cluster embellishments into groupings. There are times when you want high contrast, low contrast, or contrast plus repetition. This episodes gives examples of when you use each one when scrapbooking with embellishments.

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This episode is an extra bonus video for the Paperclipping Members as we celebrate our birthday. Thank you, Paperclipping Members, for allowing this show to exist!

If you are not a Paperclipping Member you can watch the video trailer above or download it. But if what you really want is to watch the entire video, plus the other 115 videos in our archives, please visit the Membership Information Page to learn more!

Below is the mini-book I featured in the tutorial . . .

All Hallow’s Eve 2009

all_hallows_eve_cover
You can watch me design this cover in Paperclipping 154 – Advanced Design with L-Frames.

I loved working with this minibook cover made by Teresa Collins! She created it for Thanksgiving but I wanted it for my Halloween book. The price for this is so low, you may want to consider the entire kit for Thanksgiving, plus a second cover for Halloween! I altered my cover by spraying it with Glimmer Mist in Tiger Lilly and Pumpkin Pie. Since Tiger Lilly isn’t available, you might try Jack O Lantern or Sugar Maple as a second mist color.

All Hallow's Eve 2009 cover closeup
Some of the items on my cover: Prima Flowers, Venice * The Girl’s Paperie Toil & Trouble Charm.

I made the foundation of my title from an old piece of sheet music that had belonged to my husband’s mother decades ago. I distressed it with Tim Holtz’s Old Paper Distress Ink his Ink Blending Tool, some water spritzing, hand-wrinkling, and edge fraying.

All Hallow's Eve 2009 - 1

All Hallow's Eve 2009 - 2

All Hallow's Eve 2009 - 3

All Hallow's Eve 2009 - 3a
Supplies available for purchase: Girl’s Paperie Skull Charm

Journaling reads: Aiden – You were so excited about 2 features of yoru costume this year.

1) You loved being able to peek through the eye-holes of the sheet and then throw the sheet back, popping your head out.

2) You loved the thumb holes of that skater shirt you were wearing underneath the sheet. Just like your head, you thought it was the coolest to be able to pop those through!

Watching your excitement and energy is one of the joys of my life. Love. <3

All Hallow's Eve 2009 - 3b
Tim Holtz Type Charms * Tim Holtz Hinge Clip

All Hallow's Eve 2009 - 4

All Hallow's Eve 2009 - 4b

All Hallow's Eve 2009 - 4c
Journaling reads: Blake – This wasn’t the easiest Haloween for you. You love good costumes, or at least good masks or makeup. Always have. This year the only costumes you were interested in were masks for $50 – $100!

Fiinally, we decided to have Dad paint makeup on your face, which you liked last year. But the makeup we got ended up being difficult. It dried on your face and cracked. You didn’t like that and could barely move your face.

On top of that, you had stayed up all night at David’s slumber party the evening before. CRANKY is an accurate word for you this Halloween. The contrast between you and Aiden was . . . hilarious.

Love you, dude!
Mom

All Hallow's Eve 2009 - 4a
Prima Black Butterfly Swirls * Tim Holtz Type Charms * Tim Holtz Metal Numerals

All Hallow's Eve 2009 - 5
Toil & Trouble paper

All Hallow's Eve 2009 - 5a
Teresa Collins Library Card and Pockets * Tim Holtz Hitch Fasteners

Journaling reads: Trinity – You wanted to be a devil. I wanted to make sure your costume was little-girl friendly. I decided to play with contrast: make you the cutest, sweetest, prettiest devil ever. We found a dressy red outfit you could also wear at Christmas time. I put your hair in ringlets.

MISSION ACCOMPLISHED!

You were gorgeous. Innocent. Little girl. Even with that studded choker on. :)

Love it!

All Hallow's Eve 2009 - 5b
Bazzill Bling Button * Tim Holtz Type Charms

All Hallow's Eve 2009 - 6
My Mind’s Eye black flocked paper * Girl’s Paperie Metal Charm * Prima black velvet flower with metal and bling

Ready to learn how to better use contrast for embellishing gatherings? Head over to the Member’s Area or get your own Paperclipping Membership today!

* All supplies link to my affiliate store.

The Dominance Principle and Photo Groupings – Paperclipping 155

Monday, October 18th, 2010

I’ve received some requests to share more ideas on building the foundation of your scrapbooking pages. This episode focuses on layouts with seven to ten pictures. But I didn’t share specific placement options. Instead, I share how you can use the design principle of dominance (also hierarchy), as well as all the elements of design that contribute to dominance, to help you come up with foundations and placement that works best for your own stories.

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This episode is only available for Paperclipping Members. If you are not a member, I hope you enjoy looking at the layouts below. You can click on the video above to watch the trailer. If you would like to learn the design principles that can help you with your placement, as well as all of the other principles, techniques, and other scrapbooking ideas I share in my tutorials, please check out the Membership Information Page.

Modeling The Costumes

Halloween Layout 6
Journaling reads: Gypsy * Demon Brute * Froggy

The modeling part is especially fun when you kids are so . . . well . . . “DRAMATIC” is an understatement. Love it!

Watching The Monkeys

Watching The Monkeys
Journaling reads: Our favorite part was watching the monkeys. At the zoo on our fun family vacation to Surprise. Sept. ’06.

Together Again

Together-Again
Journaling reads: It’s been years since we were all together in one place. Longer than that is the time it has been since we took a family picture . . . ten years! Getting all of the siblings together in one time and place is difficult. Mom and Dad live in Kansas City. Erin and I are in Arizona. Chad found his happpy place in San Diego. Blake is settling in Utah. And Lindsay is hanging out in Michigan while Trent is in Law School.

Unsure when our next chance will be to get together as a complete family again, we had the best time in Arizona for Thanksgiving. It is definitely something to be very grateful for. <3

September Monthly Challenge: Angie Ladeau

Monday, October 18th, 2010

Congratulations to Angie, who submitted the page we chose to highlight this month! She submitted a response to challenge topic #2: Focus on nature sceneery, and surroundings, possibly using wider angled shots.
angie_from_vt

I am experimenting with layouts that have less “stuff” on them and more photos and words. I love the idea of a big photo used as a background to draw the viewer immediately into the action of this story. It seems to say, “Let’s go explore!” As we entered the field that evening the sun was just starting to set and the light was waning fast. I loved the texture of the mushrooms and saw my daughter walking out of the frame as I crouched down to capture its remarkable texture. Again, the photo says, “Hey, wait for me!”

My second goal with this layout was to make it look like I printed the photos on canvas, then laid it out on some cardstock, added the butterfly and took a picture of it. I played a lot with the placement of objects and the painting on the edges of the background photo to create a frame. Although I was trying to keep it simple, I couldn’t help but try to see how a visual triangle would fit in. As I added the finishing touches to the title I realized that the buttons, the butterfly, and the scripted text in the title create a visual triangle, directing the viewer into the story. I just love this design stuff!!

{Melissa Bennett buttons and background papers from “Autumn Memories” (TDF21; thedailydigi.com)}

What the judges had to say:

Our goal is to identify the layouts that do a great job telling the story. Angie accomplished that with this page. The haziness she gave her photo adds to the almost surreal beauty. Light from the sunset burns through the haze to catch your attention. It emphasize the horizon and places you immediately into the narrative. The child at the front of the background (main) photo adds to the feeling that you’re included in this experience. A part of it. Both she and the diagonal horizon line give a sense of movement to the page and photo.

We love that she chose to journal directly onto the photo so that she could use it as the backdrop of the entire page, enveloping you in her story. The handwritten font lends to a personal feel — that this photo isn’t just a mystery photographer’s nice shot; this was Angie’s personal experience. The title is subtle, so it doesn’t distract from the beauty of the picture.

And Angie was right. There is no need for a third yellow accent to create a visual triangle. She had already created a triangular shape with her title and the other elements. Her restraint keeps the focus on the best story-telling element of this layout — the photo.

Find Angie Ladeau

You can find her in our community, The Crop Circle. She also has a blog.

August Monthly Challenge

Want to join in on a challenge? Every month we issue a challenge based on recent tutorials and discussions. Anyone can participate.Our judges (Lesley, Suz, and Kristyn) choose one layout or project from the submissions and I highlight that project here by combining the judges’ thoughts with my own! Give it a try!