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The Weight of Your Journaling – Paperclipping 179

Friday, October 14th, 2011

paperclipping179

I know you’ve experienced this…

You have a great page going. Then you add the journaling. And now you don’t like the page.

You probably assume your handwriting is the problem, right?

Sure, the handwriting may be part of it. But there is another cause that is just as common. In fact, if you fix this other problem, then your handwriting probably won’t affect your page, even if it is, ummm…

Okay, I’ll just say it…even if your handwriting is ugly.

Not everybody can make their handwriting gorgeous. But everybody can learn to fix that other most common problem that takes a page from fabulous to not-fabulous, and mask the handwriting, too.

I’ve just released a new video tutorial that explains the real problem with journaling. You’ll learn the different ways that you can make your journaling fit with your page, and even make the design better!

I hope you enjoy it!

The video is only for members. If you’re a member, you can go watch it now.

If you’re not a member yet, click here to learn about a membership.

The Advice that Probably Didn’t Help

Thursday, August 11th, 2011

I have some beef with something we keep saying on the Roundtable.

Have you heard us say on the show that your family doesn’t expect a Monet or a Picasso?

That your kids just want to see their pictures and read their stories?

That they’ll have no idea whether the paper is on trend this season or released in 2005, or that you didn’t make a visual triangle?

Is the advice true? Yes.

But did it help you feel better about pages you make but don’t like?

Probably not.

And why is that?

It’s because we’re not just sharing our pages with our children. We’re also online sharing our pages with other scrapbookers. So let’s be real — the pressure is still on.

And it’s also because a huge part of our motivation is the joy of making beautiful stuff.

Because we value aesthetics and skill.

When did it become wrong to want to gain or improve skills?

It didn’t.

So how do you gain and improve your scrapbook design skills?

You cycle through these steps over and over again:

  • Learn design principles.
  • Analyze the bad stuff.
  • Analyze the great stuff.
  • Practice.
  • Learn the principles.

And on and on…

Learn design principles from good explanations and lots of examples. That’s what I’m trying to give you with my videos.

And what about the analyzing? This means you look for the principles in action on great pages. Or you look for the missing principles that would have helped a page out.

Then you try it on a page.

And as you continue to learn more principles, you’ll get it more and more.

It’s a cycle.

You ready to roll?

Jump On!

You can jump onto that cycle of improvement today with a Paperclipping Membership.

Start with any of my video tutorials, get lots of explanations and examples from me, see how to analyze a page, and then continue the cycle with each episode.

Did you know there are almost 175 videos in the membership to learn from?

Click here to start your learning cycle!

Scrapbook Layout from a Paperclipping Member: The College Send-off

Wednesday, August 10th, 2011

cindy_layout

What will it be like when you send your oldest or youngest off to college away from home? What was it like, if you’ve already done it?

Cindy Wick had designed the left side of this page with all these wonderful pictures which give a comprehensive view of the sending off of her daughter. Notice the variety of visuals –from the Motel 6 to the sub sandwiches to the shopping cart full of stuff to the goodbye’s — that will trigger very specific memories for Cindy and her daughter forever.

Once Cindy got all the photos and the fun design on her page, she realized she had a big story to tell with lots of mom-feelings to share, but not enough space. The page sat on her table while she tried to figure out what to do, and then…

A super hero of the day flew in in the form of Paperclipping Episode 173 – A Journaling Design technique!

(I realize the above statement is as un-humble as it gets! I hope you don’t mind a little bit of boasting!).

I am really proud because I read Cindy’s journaling and it’s so moving. What a shame it would have been had she decided to condense it to make it fit, or remove some photos instead!

And of course, the icing on the cake was that by using the tutorial’s idea she was able to have fun and share her own feelings of pride and celebration for her daughter through the visual design and all the wonderful little details.

Turns out you really can have it all!

Doesn’t her design show celebration and growth all at once?

So I wanted to share it with you.

Get Solutions for Your Scrapbooking Dilemmas!

Cindy said some pretty great things about her Paperclipping Memberhsip, too, and I hope it’s okay for me to be a proud mama of my videos and quote some of what she said:

While I’m at it, I should say that I am a member of paperclipping and I really have gotten so much out of my membership. I consider myself a decent page designer, but I still learn new things from Noell all the time! She has a way of introducing things in a new and fresh way ~ it always gets me thinking creatively.

That’s probably because her way of teaching design is to get you to think of design principles as flexible, instead of using more concrete methods…Her videos are SO different, creative, and well thought out, I’ll probably be a fan for life.

(Thanks so much, Cindy!).

Okay, gushing moment over.

If you haven’t read Cindy’s journaling yet, please do! It’s an awesome example of how to share your own wonderful human emotional stories!

To see a larger version, click here to see her blog post, then click on the layout itself.

Want to see what all the hubbub around the Paperclipping videos is about?

(Did I just say hubbub?).

Click here to find out and maybe you’ll get the solutions you need to your scrapbooking dilemmas! >> http://www.paperclipping.com/membership

Design Basics from the Garden

Monday, August 8th, 2011

I want to get some succulents for inside and out the home and since my expertise with potted plants has always been to kill them, I thought I would try expanding my skills and see if I can learn to keep them alive!

So I was watching this video on YouTube and thought it was a fun little demonstration on the basics of design. I personally learned design by studying how it’s applied in many different fields, so I thought I’d share this with you for a different take!

Are you ready to dig much deeper into design than the mere basics? What if the in-depth training was specifically for scrapbokers?

Check out my design course – Design Your Story: From the Ground Up.

A Journaling Design Technique – Paperclipping 173

Monday, July 18th, 2011

Do you ever have stories that require lots of journaling, but your idea for a page doesn’t leave you enough room?

This happens to me all the time. I’m a journaler. And I love the artistic part of scrapbooking, too.
Pigtails? Check. Hyper? Check.

It suddenly occurred to me one day that we can mix the two more easily with one simple solution: Combine a 12×12 page with a 6×12 page, which is what you see above.

  • The 12×12 is for the design idea swimming in my head
  • The 6×12 is for the journaling.

I feel so free now! I no longer have to expand my layout to a full two-page 24×12 inch spreads whenever I have a few pictures, a fun idea, and too much to say!

It all started with this layout…

Swings & Slides

I wanted to compare my childhood swing sets with current ones. I had four photos and the story. Plus I wanted to give an explanation for each photo.

I really didn’t need two 12×12 pages, but a single just wasn’t going to cut it, even with the simple clean design.

Suddenly it became my easy fix, even for more artistic and free layouts…

Two-Way Design

Tap Dance for Money - right side

I decided to design this first as a single page that could stand alone.

And then I designed the journaling portion to work with it. The balance of the design works either way! I get to share it as a single page or a double, depending on the situation. And, in fact, I’ve already shared it both ways for various reasons.

Tap Dance for Money - both pages

Supplies

All you need are 6×12 page protectors. I use American Crafts.

Journaled Tag Page

Here is a closeup of the front and back of my journaled page for the top layout:

Pigtails? Check. Hyper? Check. (right)

Pigtails? Check. Hyper? Check. (back of right)

In this week’s episode for the members I show how to make this journaled tag page, along with my tips for easier journal strips.

Loading the player …

You can watch this episode and 172 more videos right now when you sign up for your Paperclipping Membership! Click here to learn more!

Balance an Asymmetrical Layout – Paperclipping 171

Wednesday, June 15th, 2011

Ten Things I Love About My Life

Asymmetrical layouts are much more tricky to put together than symmetrical ones. You must have a good sense of balance to make them work.

And to understand balance, you must first understand the very thing that either throws it off or keeps it on: visual weight.

Visual Weight

While general weight is about pounds and ounces, visual weight has to do with how heavy something feels to our eyes. Part of it is the amount of attention certain visual qualities demand. Part of it has to do with our natural way of interpreting.

We naturally interpret larger items as heavier than smaller items. That’s the easy part. But for varying reasons, we tend to think of other visual qualities as heavier, and these have nothing to do with actual physical weight or size.

right_now_you

Here are just a few examples of the weight of different qualities:

  • contrasting items are heavier than non-contrasting
  • dark colors or tones are heavier than light colors or tones
  • bold or saturated colors are heavier than light or duller colors
  • complex shapes and textures are heavier than simple shapes and flat areas

You can use this knowledge to create balance on your pages. If you have an item that puts too much weight on one side, you can balance it with items on the other side that are heavy for different reasons.

This way you get a very interesting and dynamic layout.

Video Tutorials on Balance, Weight, and Asymmetry

I’ve made a video tutorial on how to place embellishments in order to balance an asymmetrical layout. I’ve also made a tutorial on how to take a layout that’s looking symmetrical and boring in its foundation stage, and spice it up with some asymmetry.

But how about building an asymmetrical foundation from the beginning? What are some different approaches you can take to create a balanced layout without resorting to symmetrical tactics?

The newest Paperclipping episode will give you five different approaches and they vary from one-page layouts to two-page layouts. If you’re not a Paperclipping Member you can view the video trailer by clicking below, and then enjoy the layouts you see here as examples.

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If you like what you see, there are 170 more! Find out what you get when you join our membership by clicking here.

(By the way, anyone who is a member on Friday morning, 8am PST will get my brand new design course for free! It’s worth $55 and will not be free to Members after that time, so hurry quick)!

Waiting and Waiting...
(Click on the layouts to see the journaling of the layouts).

The Facts and The Feelings  (My Dad Has Parkinson's Disease)

(The left side of the page is a direct lift from Ali Edwards and a layout she shares in her Yesterday & Today Class. The right side is my own addition).

Tami-Lamb

all_hallows_eve_cover

Christmas '06

Scrapbook Titles that Ramble – Paperclipping 170

Thursday, May 26th, 2011

Lots of Drama

Long, wordy, rambling titles can add a certain personality to your layout.

They can also leak out just enough of the story to compel a person to read more, because few of us can leave a story unfinished. Once we’ve started, we have to finish it right? When we’re looking through layouts, we usually register the title, but whether we look at the details or read the journaling is hit and miss.

If a hint of your story is in the title, you leave the viewer with little choice but to find out the rest of the story.

In My Car. Outside His Apartment. Steering Wheel in My Hands.
In My Car. Outside His Apartment. Steering Wheel in my Hands.

Designing Long Titles to Set the Tone

You can set an immediate tone for your story by the way you design those long titles. Most scrapbookers don’t think about the visual message the title design communicates. Instead, we usually design the titles for one of these reasons…

  1. We decide it’s our style to have either straight or slightly crooked titles.
  2. We’re in the mood to do one or the other.
  3. We’re emulating someone else’s title.

There’s nothing wrong with any of these reasons for choosing the style of your design. But how about choosing a style that will help tell your story and set an immediate tone at first glance?

Compare the tone that the title below communicates with the tone of the two layouts above.

The Joy of a Painted and Decluttered Room
The Joy of a Painted and Decluttered Room.
Note: To see a larger version of a page, or to read the journaling, click on any layout. The journaling is below the layout. Then, to see a larger version, click Action > View All Sizes.

I was thinking of The Joy of Cooking cookbooks when I chose this title because of its associations to homemaking, order, and organization — not because I liked the style, but because that’s what this story is about!

Now look at this layout with its jagged title…

You Swallowed Your Bitter Pill
Your Bitter Pill

While making this layout, I was channeling Alanis Morrissette and her song, The Jagged Little Pill. Life is full of jagged crooked roads that bump and toss and lead us in all kinds of directions, not just for adults but even for innocent six-year-old girls who have to learn a few of life’s lessons early because of medical issues, like epilepsy.

This story is about the literal pills she had to learn to swallow twice a day, as well as the larger metaphorical pill of dealing with a seizure disorder.

Video Tutorial for Designing Long Titles that Lead Into the Story

Paperclipping Episode 170 is a video tutorial for Paperclipping Members that…

  • digs deeper into the visual meaning of the designs of long rambling titles
  • shares my tips and techniques for assembling long rambling titles

If you’re not a Member, you can watch the trailer by clicking on the video player below.

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Members can also watch my tutorial on title designs in general, where I show how to think of titles as lines or shapes within your design, and how to use the principles of contrast and variation in your title-work. This episode shows both digital and traditional titles as examples.

Ready to start your membership so you can see this week’s video tutorial? You’ll get immediate access to 170 video tutorials, plus you’ll get two new ones every month.. Learn how to get your Paperclipping Membership here.

Will You Take Me to a Street Corner so I Can Tap Dance for Money?
Tap Dance for Money - both pages

Pinboard Flexible Template – Paperclipping 169

Thursday, May 12th, 2011

Creative Habit

What if you could have design prompts that will propel your creative scrapbook flow without actually telling you exactly where to put things the way a sketch does? What if those design prompts were flexible enough to work with different numbers of photos and other items so you don’t have to restrict yourself to prompts that only work with a specific numbers of photos?

Sketches, page maps, or strict templates can give you a framework in which to apply some of your creativity. But they limit your range of creativity if you are at a point in your development when you design (or could design) your own pages. Is it time for you to hold the reins of your own designs?

I started sharing my Flexible Templates because I understand the benefit of having a starting point to get your design going. Creative seeds are good things. But I know how much more I enjoy not having to refer to something else to tell me where to place things. You can use the Flexible Templates as a propeller toward your design, but without having to look at anything specific to get it going.

How do you use Flexible Templates without looking at a visual example?

I base the templates on a visual image, such as three train tracks for the Train Station Flexible template. You should be able to recall the image idea of three parallel train tracks as your starting point. You don’t have to look at a sketch or my own examples to decide where to put your photos and other items, though you can.

The point is to be able to make your own structure from the inspiration of three tracks. You might do any of these ideas or come up with your own…

  • Make your tracks vertical with three columns of vertical photos and long journaling as the trains.
  • Position your tracks at a diagonal to produce a more energetic tone for your story.
  • Make your trains out of twelve different photos by making each photo a 2.5×2.5 square
  • Or make your trains out of just 3 long photos and patterned paper and embellishments.
  • Create a sense of movement by having your photo trains extend all the way to an edge of the page.
  • Or create a sense of stability by centering the trains on the page so they look like they’re stationary on the implied (non-literal) tracks.

A-Shared-Community---An-Instant-Friendship

Just thinking about these different ways to form my “trains” and “tracks” makes the creativity flow enough that I want to go scrapbook right now!

The video tutorials for each of my templates are just to give you an idea of what I mean by “Pinboard” or “Moving Panels” or “Train Tracks.” They’re also an opportunity to share some of the design principles that might assist you. After you’ve watched a tutorial on a Flexible Template, I recommend you add the template name to a list and refer to the names to generate your own layout designs.

Use the idea of a pinboard to jump-start your scrapbook layout design.

A pinboard is a place to pin up photos, ephemera, memo’s or reminders, and other items. How can you use this visual idea to create a page? In my Pinboard Flexible Template tutorial, I share some ways I’ve used it to display a series of photos, such as the layout at the top. I also assemble a page where I had ephemera from a dance competition program instead of actual pictures.

1st Competition

Pinboard Flexible Template Video Tutorial

You can watch the video trailer for the episode by clicking on the player below.

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If you’re a Paperclipping Member, you can login to the Member’s Area at the upper right-hand corner to watch the tutorial, or you can go to your iTunes library and watch it there.

If you’re not a member and have never seen one of my Flexible Templates videos, you can sign up for my email updates (in the box at the upper right-hand corner) to receive three free videos from our Member’s Archives. All three of them are Flexible Templates tutorials, so you’ll get three different templates with layout examples, and some instruction in design principles.

If you like what you see and want access to the other 166 tutorials that our members enjoy, please visit the Membership Information Page to learn more.

Initiating-Intimacy

How and Where to Place Scrapbooking Embellishments – Paperclipping 168

Monday, April 25th, 2011

Tap Dance for Money - both pages

Two of the more common questions scrapbookers want to know are:

  • How do you know where to put your embellishments?
  • How do you know when to stop?

Someone asked me one of these during my True Scrap class at the end of my presentation and I felt like I let her down because I really don’t believe you can give an adequate answer in just a few sentences.

The most common answer I hear to the question, “How do you know when to stop?” is “When you feel like you’re done, take one thing off the page.”

This answer may be adequate for certain scrapbookers, but it’s definitely not a principle that applies in general.

How does that help someone like me, who had to force herself to learn to add the first embellishment? (I have many old scrapbooking pages that have a background, photos, and photo mattes. And that is it!).

Or anyone who tends to use too few items, rather than too many?

Which of the item do you take off?

What if the page looks off-balance when you remove an item?

The Root of the Problem

As scrapbookers, we’re fortunate to have lots of beautiful and amazing embellishment options at our fingertips. You can’t say the same thing for paint or charcoal pencil artists.

On the one hand, we’re very lucky. On the other hand, our embellishment obsession distracts us from learning overall design composition. This is the problem: We’re so engrossed in the wonderful details of the embellishments that they’re the first and main thing we want to learn and focus our time on.

Three Concepts To Master for Powerful Embellishment Placement

If you master three concepts, which I cover heavily in my video tutorials for Paperclipping Members, you will never have to worry about where to put the embellishments, or when to stop because you’ll just know. Here are the three concepts:

  • Building a foundation of focal point photos, supporting photos, and anchoring lines.
  • General overall principles of composition, like balance and space.
  • The design purposes of embellishments

N 38 (closeup)

Embellishments Have Design Purposes

Beauty is just a by-product. If you’re overly focused on how beautiful the embellishments are, you’re in danger of…

  • using too many of them
  • being too intimidated to use them

If instead, you focus on using them only to meet the design needs of your layouts, you will know exactly…

  • How to make stunning embellishment gatherings.
  • What’s missing on your page.
  • Which embellishments to use.
  • Where to put your embellishments.
  • When your page is complete and it’s time to stop.

Gathering Embellishments

Gathering embellishments — in other words, layering them or clustering them — is a particularly good way to draw people into your page and make them want to stay and look a lot longer. Some of the ways to do that are to…

Gather embellishments into a frame around a photo.
right_now_you

Tap Dance for Money - right side

Make a cluster of contrasting embellishments on a line or in a space that needs more visual weight or color.
"Ish"

Soften lines and form an implied directional curving line with your embellishments.
N 38

Today we’ve released a video tutorial to the Paperclipping Members that demonstrates all of these things and more. You will get to see me gather and place the embellishments for three of these four scrapbook layouts. You may watch the trailer by clicking the video below:

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Are you ready to watch the entire tutorial? If you are Paperclipping Member, please login to the Membership Area to watch it there, or find it in your iTunes library.

If you are not a Paperclipping Member, you can find out about membership by clicking here!

How The Heck do you Actually Incorporate Design Principles into Scrapbooking?

Tuesday, April 19th, 2011

Bridge to Canyon Lake

Karen is a long-time Paperclipping Member and I remember conversations we had a handful of years ago where she was struggling to understand how it works to actually incorporate the design principles she was learning from the tutorials.

Despite her confusion and frustration, she kept learning and working on it and has come a long way!

This concept can be confusing at first, so I wanted to share with you a very recent conversation Karen and I had in the comments of a blog post last week, now that she’s beyond that initial period of struggle. So below is that conversation and then more of my own thoughts regarding the balance between working intuitively and thinking consciously about the principles of design.

How to Incorporate Design Principles Into Our Scrapbooking

It’s not mechanic. It’s an art. In this conversation you’ll get a great idea on how many of us actually use those principles.

Karen: I am one of those people who learn something, internalize it, and then follow my gut. It doesn’t work for me to sit down and take a logical, linear approach to design. I allow the design principles to work through me so I can stay “in the flow,” and then go back and tweak as necessary. :)

Me: It’s a kind of organic thing for me. Much of the time I’m doing things from my gut, but because of my position, I need to explain it, so I go back and analyze why it was that I wanted to do something. Then I go — “Oh yeah, it used such-and-such principle!”

Other times it’s an intentional decision — I want to accomplish z, and I know the principle that says x+y=z, so I’ll choose to do x+y if it feels good to me.

And then there are the times when I’m trying to make a decision. I loved the first journaling block that I showed in this video for my Swingset layout but something was keeping me from committing to it. I happened to be working on my design course at the time that I was making that page and I was thinking about the principle of repetition, when suddenly it occurred to me that the other journal block (the one I ultimately used) would accomplish repetition. So I tried it and it made the page feel complete for me, so I did it!

I think I go from my gut a little more often than starting from a specific principle.

Swings & Slides

Karen:
Noell–your response to me was so helpful to know–thank you. I always knew I loved learning the design principles in isolation because I wanted to know WHY a page or layout worked. That said, as a non-linear thinker and creator, I wasn’t always sure HOW to put them together.

Remember how I’ve posted over the years about not trusting myself to create and then getting stressed? Well, it wasn’t just getting overloaded with ideas from magazines–it was also starting a page by thinking, “Okay–I need to have balance and unity…hmmmm…is there flow? Did I do the rule of thirds?” I’d just get bogged down in sequencing design principles and that didn’t let itself to any sort of creativity.

Now I TRUST that I really have internalized them after a few years of studying them. I asked myself, “What works for me to start a layout? What’s my process?” Once I figured out my starting point, which is where to place the photos, that made a big difference because other decisions flowed from there. I just am so excited to create from this place–this place of trusting myself and knowing that I can tweak along the way.

So when you asked on your blog, “What do you know want to know about design?” I wasn’t sure how to answer. I was thinking, “I want to know how to put it all together….without thinking about it too much and stifling my creativity but still being mindful.” But that seemed a bit jumbled. I am really aiming for mindfulness in my scrapbooking–paying attention to the process without being attached to the outcome. I’m on my way….:)

Me: The more you practice and internalize design, the more certain things become a part of your gut instinct, too.

Also, I can’t emphasize enough the one most important thing — know what your story is before you start making any choices. Just knowing the story — including the mood, feelings, tone — is all you need to do to be in the frame of mind to choose design principles that will help you tell the story.

Internalizing the Principles

The more you use a principle, the more it becomes something you do from the gut without having to think about it consciously. For example, when I see a blank canvas, layout, or when I’m framing a picture, I naturally see the lines and intersections of the Rule of Thirds, which is framework for placing focal points and lines in a way humans naturally find most visually pleasing.

you_up_close

Sensitive-Heart

rainbow_in_my_closet

I don’t consciously visualize the lines, but I intuitively know where those lines are and I naturally want to put things in those places. And yet, there was an actual time when that was not natural to me. There was specific day when I learned this principle (I think I learned it through photography) and I began to try it.

And I began to see it in other photos and good designs.

And it wasn’t long before it was just a part of how I see things.

Don’t Use All the Principles All the Time

You don’t need to. You don’t want to. I consciously turn to my knowledge of design mainly when things aren’t working right and I need to figure out why. The answer comes to me. But this takes practice, so be patient!

Analyze other good visual designs until you can identify the principles that make them work and what the design is communicating.

Much in design will come naturally over time as you…

  • Learn
  • Analyze other good designs (photos, layouts, art, etc)
  • Practice
  • Trust yourself, as Karen said!

Ready to Learn?

I dig deep into design for the Paperclipping Video Tutorials, much deeper than what you typically find for scrapbookers. It’s all right here, waiting for you!