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The Advice that Probably Didn’t Help

Thursday, August 11th, 2011

I have some beef with something we keep saying on the Roundtable.

Have you heard us say on the show that your family doesn’t expect a Monet or a Picasso?

That your kids just want to see their pictures and read their stories?

That they’ll have no idea whether the paper is on trend this season or released in 2005, or that you didn’t make a visual triangle?

Is the advice true? Yes.

But did it help you feel better about pages you make but don’t like?

Probably not.

And why is that?

It’s because we’re not just sharing our pages with our children. We’re also online sharing our pages with other scrapbookers. So let’s be real — the pressure is still on.

And it’s also because a huge part of our motivation is the joy of making beautiful stuff.

Because we value aesthetics and skill.

When did it become wrong to want to gain or improve skills?

It didn’t.

So how do you gain and improve your scrapbook design skills?

You cycle through these steps over and over again:

  • Learn design principles.
  • Analyze the bad stuff.
  • Analyze the great stuff.
  • Practice.
  • Learn the principles.

And on and on…

Learn design principles from good explanations and lots of examples. That’s what I’m trying to give you with my videos.

And what about the analyzing? This means you look for the principles in action on great pages. Or you look for the missing principles that would have helped a page out.

Then you try it on a page.

And as you continue to learn more principles, you’ll get it more and more.

It’s a cycle.

You ready to roll?

Jump On!

You can jump onto that cycle of improvement today with a Paperclipping Membership.

Start with any of my video tutorials, get lots of explanations and examples from me, see how to analyze a page, and then continue the cycle with each episode.

Did you know there are almost 175 videos in the membership to learn from?

Click here to start your learning cycle!

Scrapbook Layout from a Paperclipping Member: The College Send-off

Wednesday, August 10th, 2011

cindy_layout

What will it be like when you send your oldest or youngest off to college away from home? What was it like, if you’ve already done it?

Cindy Wick had designed the left side of this page with all these wonderful pictures which give a comprehensive view of the sending off of her daughter. Notice the variety of visuals –from the Motel 6 to the sub sandwiches to the shopping cart full of stuff to the goodbye’s — that will trigger very specific memories for Cindy and her daughter forever.

Once Cindy got all the photos and the fun design on her page, she realized she had a big story to tell with lots of mom-feelings to share, but not enough space. The page sat on her table while she tried to figure out what to do, and then…

A super hero of the day flew in in the form of Paperclipping Episode 173 – A Journaling Design technique!

(I realize the above statement is as un-humble as it gets! I hope you don’t mind a little bit of boasting!).

I am really proud because I read Cindy’s journaling and it’s so moving. What a shame it would have been had she decided to condense it to make it fit, or remove some photos instead!

And of course, the icing on the cake was that by using the tutorial’s idea she was able to have fun and share her own feelings of pride and celebration for her daughter through the visual design and all the wonderful little details.

Turns out you really can have it all!

Doesn’t her design show celebration and growth all at once?

So I wanted to share it with you.

Get Solutions for Your Scrapbooking Dilemmas!

Cindy said some pretty great things about her Paperclipping Memberhsip, too, and I hope it’s okay for me to be a proud mama of my videos and quote some of what she said:

While I’m at it, I should say that I am a member of paperclipping and I really have gotten so much out of my membership. I consider myself a decent page designer, but I still learn new things from Noell all the time! She has a way of introducing things in a new and fresh way ~ it always gets me thinking creatively.

That’s probably because her way of teaching design is to get you to think of design principles as flexible, instead of using more concrete methods…Her videos are SO different, creative, and well thought out, I’ll probably be a fan for life.

(Thanks so much, Cindy!).

Okay, gushing moment over.

If you haven’t read Cindy’s journaling yet, please do! It’s an awesome example of how to share your own wonderful human emotional stories!

To see a larger version, click here to see her blog post, then click on the layout itself.

Want to see what all the hubbub around the Paperclipping videos is about?

(Did I just say hubbub?).

Click here to find out and maybe you’ll get the solutions you need to your scrapbooking dilemmas! >> http://www.paperclipping.com/membership

Design Basics from the Garden

Monday, August 8th, 2011

I want to get some succulents for inside and out the home and since my expertise with potted plants has always been to kill them, I thought I would try expanding my skills and see if I can learn to keep them alive!

So I was watching this video on YouTube and thought it was a fun little demonstration on the basics of design. I personally learned design by studying how it’s applied in many different fields, so I thought I’d share this with you for a different take!

Are you ready to dig much deeper into design than the mere basics? What if the in-depth training was specifically for scrapbokers?

Check out my design course – Design Your Story: From the Ground Up.

So You Think You Can Scrapbook

Tuesday, July 5th, 2011

Do you watch So You Think You Can Dance? Go ahead and consider it one of your scrapbooking classes because it can help you enhance your scrapbooking design skills. Much of my own design understanding came from my past experience as a dancer.

Rather than tell you, let me show you what I’m talking about…

Lines and Contrast. Dance and Scrapbooking

This amazingly talented little dancer, Payton Johnson, was an assistant at a dance convention Trinity recently attended. For me the dance she performs in the video is about lines and contrast. In particular, it’s the contrast between different types of lines and the emotions they communicate.

Different types of lines tell different types of stories. Watch how Payton’s graceful flowing lines jerk into harsh angles with lots of tension and then dissolve into soft carefree light-hearted curves again.

What are those two types of lines communicating to you as she switches back-and-forth between them?

And how does that translate into design for scrapbooking?

Energy + Tension

Angled lines.

Lots of Drama

In My Car. Outside His Apartment. Steering Wheel in my Hands.

Halloween Layout 6

Generosity + Light-heartedness

Curving Lines.
Bubbles

Not Real?

amazed

A Combination of Angles + Curves for Energy + Light-heartedness

You can also mix the two to strike a balance of both for your story.
Anime Trin

You Swallowed Your Bitter Pill

Whether in dance or scrapbooking, the lines we create have a vocabulary.

That’s why there’s a whole section on lines in Lesson 2 of my new design course, Design Your Story: From the Ground Up. In it I also show the visual meanings you can communicate using horizontal and vertical lines and a whole lot of other things, like patterns and space.

What are you saying through your designs?

Find out by taking the course: Design Your Story: From the Ground Up.

How and Where to Place Scrapbooking Embellishments – Paperclipping 168

Monday, April 25th, 2011

Tap Dance for Money - both pages

Two of the more common questions scrapbookers want to know are:

  • How do you know where to put your embellishments?
  • How do you know when to stop?

Someone asked me one of these during my True Scrap class at the end of my presentation and I felt like I let her down because I really don’t believe you can give an adequate answer in just a few sentences.

The most common answer I hear to the question, “How do you know when to stop?” is “When you feel like you’re done, take one thing off the page.”

This answer may be adequate for certain scrapbookers, but it’s definitely not a principle that applies in general.

How does that help someone like me, who had to force herself to learn to add the first embellishment? (I have many old scrapbooking pages that have a background, photos, and photo mattes. And that is it!).

Or anyone who tends to use too few items, rather than too many?

Which of the item do you take off?

What if the page looks off-balance when you remove an item?

The Root of the Problem

As scrapbookers, we’re fortunate to have lots of beautiful and amazing embellishment options at our fingertips. You can’t say the same thing for paint or charcoal pencil artists.

On the one hand, we’re very lucky. On the other hand, our embellishment obsession distracts us from learning overall design composition. This is the problem: We’re so engrossed in the wonderful details of the embellishments that they’re the first and main thing we want to learn and focus our time on.

Three Concepts To Master for Powerful Embellishment Placement

If you master three concepts, which I cover heavily in my video tutorials for Paperclipping Members, you will never have to worry about where to put the embellishments, or when to stop because you’ll just know. Here are the three concepts:

  • Building a foundation of focal point photos, supporting photos, and anchoring lines.
  • General overall principles of composition, like balance and space.
  • The design purposes of embellishments

N 38 (closeup)

Embellishments Have Design Purposes

Beauty is just a by-product. If you’re overly focused on how beautiful the embellishments are, you’re in danger of…

  • using too many of them
  • being too intimidated to use them

If instead, you focus on using them only to meet the design needs of your layouts, you will know exactly…

  • How to make stunning embellishment gatherings.
  • What’s missing on your page.
  • Which embellishments to use.
  • Where to put your embellishments.
  • When your page is complete and it’s time to stop.

Gathering Embellishments

Gathering embellishments — in other words, layering them or clustering them — is a particularly good way to draw people into your page and make them want to stay and look a lot longer. Some of the ways to do that are to…

Gather embellishments into a frame around a photo.
right_now_you

Tap Dance for Money - right side

Make a cluster of contrasting embellishments on a line or in a space that needs more visual weight or color.
"Ish"

Soften lines and form an implied directional curving line with your embellishments.
N 38

Today we’ve released a video tutorial to the Paperclipping Members that demonstrates all of these things and more. You will get to see me gather and place the embellishments for three of these four scrapbook layouts. You may watch the trailer by clicking the video below:

Loading the player …

Are you ready to watch the entire tutorial? If you are Paperclipping Member, please login to the Membership Area to watch it there, or find it in your iTunes library.

If you are not a Paperclipping Member, you can find out about membership by clicking here!

How The Heck do you Actually Incorporate Design Principles into Scrapbooking?

Tuesday, April 19th, 2011

Bridge to Canyon Lake

Karen is a long-time Paperclipping Member and I remember conversations we had a handful of years ago where she was struggling to understand how it works to actually incorporate the design principles she was learning from the tutorials.

Despite her confusion and frustration, she kept learning and working on it and has come a long way!

This concept can be confusing at first, so I wanted to share with you a very recent conversation Karen and I had in the comments of a blog post last week, now that she’s beyond that initial period of struggle. So below is that conversation and then more of my own thoughts regarding the balance between working intuitively and thinking consciously about the principles of design.

How to Incorporate Design Principles Into Our Scrapbooking

It’s not mechanic. It’s an art. In this conversation you’ll get a great idea on how many of us actually use those principles.

Karen: I am one of those people who learn something, internalize it, and then follow my gut. It doesn’t work for me to sit down and take a logical, linear approach to design. I allow the design principles to work through me so I can stay “in the flow,” and then go back and tweak as necessary. :)

Me: It’s a kind of organic thing for me. Much of the time I’m doing things from my gut, but because of my position, I need to explain it, so I go back and analyze why it was that I wanted to do something. Then I go — “Oh yeah, it used such-and-such principle!”

Other times it’s an intentional decision — I want to accomplish z, and I know the principle that says x+y=z, so I’ll choose to do x+y if it feels good to me.

And then there are the times when I’m trying to make a decision. I loved the first journaling block that I showed in this video for my Swingset layout but something was keeping me from committing to it. I happened to be working on my design course at the time that I was making that page and I was thinking about the principle of repetition, when suddenly it occurred to me that the other journal block (the one I ultimately used) would accomplish repetition. So I tried it and it made the page feel complete for me, so I did it!

I think I go from my gut a little more often than starting from a specific principle.

Swings & Slides

Karen:
Noell–your response to me was so helpful to know–thank you. I always knew I loved learning the design principles in isolation because I wanted to know WHY a page or layout worked. That said, as a non-linear thinker and creator, I wasn’t always sure HOW to put them together.

Remember how I’ve posted over the years about not trusting myself to create and then getting stressed? Well, it wasn’t just getting overloaded with ideas from magazines–it was also starting a page by thinking, “Okay–I need to have balance and unity…hmmmm…is there flow? Did I do the rule of thirds?” I’d just get bogged down in sequencing design principles and that didn’t let itself to any sort of creativity.

Now I TRUST that I really have internalized them after a few years of studying them. I asked myself, “What works for me to start a layout? What’s my process?” Once I figured out my starting point, which is where to place the photos, that made a big difference because other decisions flowed from there. I just am so excited to create from this place–this place of trusting myself and knowing that I can tweak along the way.

So when you asked on your blog, “What do you know want to know about design?” I wasn’t sure how to answer. I was thinking, “I want to know how to put it all together….without thinking about it too much and stifling my creativity but still being mindful.” But that seemed a bit jumbled. I am really aiming for mindfulness in my scrapbooking–paying attention to the process without being attached to the outcome. I’m on my way….:)

Me: The more you practice and internalize design, the more certain things become a part of your gut instinct, too.

Also, I can’t emphasize enough the one most important thing — know what your story is before you start making any choices. Just knowing the story — including the mood, feelings, tone — is all you need to do to be in the frame of mind to choose design principles that will help you tell the story.

Internalizing the Principles

The more you use a principle, the more it becomes something you do from the gut without having to think about it consciously. For example, when I see a blank canvas, layout, or when I’m framing a picture, I naturally see the lines and intersections of the Rule of Thirds, which is framework for placing focal points and lines in a way humans naturally find most visually pleasing.

you_up_close

Sensitive-Heart

rainbow_in_my_closet

I don’t consciously visualize the lines, but I intuitively know where those lines are and I naturally want to put things in those places. And yet, there was an actual time when that was not natural to me. There was specific day when I learned this principle (I think I learned it through photography) and I began to try it.

And I began to see it in other photos and good designs.

And it wasn’t long before it was just a part of how I see things.

Don’t Use All the Principles All the Time

You don’t need to. You don’t want to. I consciously turn to my knowledge of design mainly when things aren’t working right and I need to figure out why. The answer comes to me. But this takes practice, so be patient!

Analyze other good visual designs until you can identify the principles that make them work and what the design is communicating.

Much in design will come naturally over time as you…

  • Learn
  • Analyze other good designs (photos, layouts, art, etc)
  • Practice
  • Trust yourself, as Karen said!

Ready to Learn?

I dig deep into design for the Paperclipping Video Tutorials, much deeper than what you typically find for scrapbookers. It’s all right here, waiting for you!

March Challenge Highlight: Tambur

Tuesday, April 12th, 2011

Congratulations to Tambur! There were quite a few entries this month and they were so fun for us to look at! We’re excited to share what we particularly loved about Tambur’s layout.

tambur_march_challenge_highlight

The Journaling

There are a few of you who are light sensitive. I don’t know if that is because you have green eyes (and you know who you are) or if you just have some extra sensitivity to light, but every time we are outdoors and I ask for a picture I get blinkers.

*Snap – Blink.
*Blink – Snap.

What the judges said:

This layout has it all…. strong design, interesting title-work, cute photo and most importantly — a fun story. We love the colors, which highlight the real subject of the story (the kids) instead of the beach. The beach is incidental to this story, and Tambur caused it to fade, making it a nice backdrop that doesn’t distract from her point.

The pop of vibrant red makes the page come alive, suggesting the energetic tone that coincides with the witty and playful teasing in her journaling.

Tambur’s choice of a numbered bingo card unifies the page with the 1.2.3 in the title. Her scattering of flowers breaks up the lines, adds balance, and draws the eye around the page from the photo to the journal block.

Find Tambur!

You can visit Tambur at her page in our community. You can also go visit her on her blog!

Join the Challenge

If you get inspiration from all the stuff that goes up on Paperclipping, how about putting it to use and joining our monthly challenge? The April challenge is up and there’s plenty of time to join! Wait until you see the entries so far. Awesome!!

Many thanks to our Challenge Coordinators and Judges: Lesley, Suz, and Kristyn!

How to Use Repetition in Your Scrapbooking – Paperclipping 166

Tuesday, March 29th, 2011

Sometimes choosing from a lot of really great-looking products can make it hard to decide what to put on your page. Other times we just have no ideas to start with. One of the reasons I enjoy employing design principles so much is that it helps me make quicker decisions.

Actually, it helps me make decisions in general! For the Swingset layout below I used the principle of repetition to help me decide between different products I loved! For the Atlantis layout, repetition was the key principle for the entire design and it helped me decide on every single product I used! I used repetition in two different ways for these layouts.

The best part, though, is how repetition unifies your page so it feels whole and complete, and in this episode I’ll share with you ways to do it without becoming boring.

Loading the player …

If you’re a Paperclipping Member, today’s episode is waiting for you, either in the Member’s Area (login at the upper right-hand corner) or in iTunes. You’ll get to see the difference repetition can make.

If you’re not a Paperclipping Member, you can watch the trailer above and enjoy the layouts below for ideas. If you would like to…

  • Learn the details of this design principle
  • See the before-and-after of my Swingsets page
  • Get access to all 166 Paperclipping tutorials
  • Get two new episodes every month

… then please visit this page!

Scrapbook Layouts That Use Repetition

Ready to see some examples? Here are the layouts I used in the episode to demonstrate…

Swingsets & Slides

2-page layout: 6×12 + 12×12
Swings & Slides

To see a larger version so you can read the journaling, please click on the layout, click on the Actions menu > View All Sizes.

Supplies:
The Glitz Design Hoopla Polka Dot paper is a current fave and it’s on clearance! Unfortunately, I can only find the Jenni Bowlin Studio buttons in red and black, but not orange. I do love red, though!!

Other favorites: The My Mind’s Eye Lush journaling pad and flocked orange flower paper.

Digi: The Then & Now stamps came with Ali Edwards’s Yesterday & Today class at Big Picture Classes. I designed the photo header for the bottom section of the journaling myself.

(affiliate links)

Atlantis

2-page layout: 12×12
Atlantis

Hello Kitty

This is the right side of a 2-page layout. It’s 12×12.
hello_kitty

Silly Random Thoughts

12×12 layout
silly_random_thoughts

Ready to learn how to better use repetition in your scrapbook pages? Join us now with your new membership and get instant access to this video tutorial and 165 more!

Communicate with Space – Paperclipping 165

Monday, March 14th, 2011

Most of us are giving all of our design attention to the actual scrapbook items we’re putting on our pages — the cute embellishments, the patterned paper, the ribbons and photos. But did you know the space around those items are just as important to the impact you make on viewers? In fact, the space around your items communicates certain messages!

I’m excited to show you many of the different messages you could be communicating by actually moving stuff around on one of the layouts below. The size of your spaces say a lot. Click the video player below to see the trailer for the scrapbook design video tutorial.

Loading the player …

If you are a Paperclipping Member you can head over to iTunes or to the Member’s Area to watch now! This is a design principle that can have an impact on every scrapbook layout you do from now on, no matter what your scrapbooking style.

If you’re not a member but you’re ready to understand why some designs work and some don’t, please click here to find out how you can get the tutorials!

Below are the layouts I featured to demonstrate the design principles…
Yum.

edison_music_box

The Joy of a Painted and Decluttered Room.

4 July

If you’re ready to get your membership and begin watching any of the 165 video tutorials, please visit the Membership Information Page to see how to sign up or learn more!

How to Be a Better Scraplifter

Thursday, March 3rd, 2011

Somersaults-with-Dad

Last January I scraplifted for the first time in five years. Maybe more. It was just one innocent lift of a class assignment from Ali Edwards, but then that spiraled into five! Over the the next few weeks there might be a few more, too.

Why did I stop scraplifting in the first place, and why have I started again?
Well, if you’ve ever scraplifted, you might have run into a few frustrations. Have you experienced the following?

  • Your lifted version didn’t capture the look that you loved so much in the original and you don’t know why.
  • As much as you loved the original when it belonged to so-and-so awesome-scrapbooker, it feels uncomfortable now coming from you. Your page looks just as great as the original, but that original page fit the original scrapbooker’s personality. It turns out it doesn’t really fit your own and you have a vague sense of discomfort (or worse).

Do either of these sound familiar?

Way back before we started Paperclipping I decided I didn’t want to lift other people’s pages, in part for those very reasons. I set out to master the principles of design, become a truly independent and self-reliant scrapbooker, and learned to find my own style so I could express myself through the design of my story.

That’s what the Paperclipping Video Tutorials and membership are all about — expressing yourself by knowing how to design your own stories through visual communication!

Then I Took Ali’s Yesterday & Today Class

I don’t have a lot of time to devote to other people’s classes. So when Ali gave out her assignments for her class starting last January, and I knew I needed to do be able to do them quickly because of my other obligations, I decided to lift again. And here’s the reason I am enjoying scraplifting so much more now than I did years ago –

Scraplifting works better when you have a solid grasp of design principles.

Even if you don’t struggle with the two frustrations I listed above, you will find scraplifting to be much easier and fun if you understand the principles of design.

Here are some examples of why:

  • You’ll know which designs will be better at communicating the appropriate tone for the story you have to tell.
  • You’ll know why something that worked on the original layout isn’t going to work on your own because of the differences in your photos, your supplies, or your story.
  • You’ll recognize when the colors of your photos will create an off-balance if you use the same colors of paper from the original.
  • You’ll notice ahead of time that if your pictures are a little more busy — if they have more people, for example — then you might need to adjust the types of patterned papers you’re using to compensate.
  • You’ll know how to adjust the weight of your lines, space, and the scale of your items to accommodate for any changes you make to the page.
  • And of course, you’ll know what changes you’ll need to make to feel like you own the story.

Last week I showed you a layout I scraplifted from Ali’s class. I shared the changes I made to meet my personality, story, and design needs. Below are two more layouts I scraplifted from her and her class. Again, I’ll detail my own adjustments . . .

The Facts and the Feelings (My Dad has Parkinson’s Disease)

The Facts and The Feelings  (My Dad Has Parkinson's Disease)

(Need to see a larger version? Click on the photo, then click Actions > View All Sizes).

Changes I made –

  • The entire right side of the page is my own design. Ali’s right side had one big piece of ephemera. I wanted to add photos that pictured the active things I remember my Dad doing before he got Parkinson’s Disease. I also had a lot more journaling than she did.
  • The journaling on the left page was much longer than Ali’s. I made my photo shorter in length so I could fit it, and then increased the scale of the digital word art, “The Facts and the Feelings,” to match the length of my journaling. I didn’t use the frame overlay that Ali used because it didn’t fit the dimensions of my photo.
  • I moved the “The Story” word art to a spot that balanced with my photo better, as well as to the right side of my page. There is a visual triangle of circles from the metal pieces on the left, to “The Story” at the top and finally to the “Courageous” metal piece on the right. There is also a visual triangle of yellow. This gives the page balance.
  • Because of my longer journaling, I didn’t have room for the strip of patterned paper underneath the photo that Ali put on her layout. It worked better for me to put it at the top of the right page instead. In that spot it unites the two pages together.
  • Ali’s main color was pink, whereas mine is yellow. There is a tiny hint of yellow in my pants in the focal point photo, and there is yellow hue scattered around the very bottom photo. Since those photos are farthest apart from each other in the spread, yellow was a good color to use to unite the entire group. Plus, it’s the color I most associate with my childhood.
  • These pages are 8.5×11. Ali’s were too, but she mounted hers onto pink 12×12 papers. I thought about mounting mine onto yellow 12×12′s but I didn’t really feel like it — I already like it the way it is. Since I didn’t see any papers in my stash that felt right I was happy to decide just to keep my pages unmounted.

Just to clarify — am I saying that my changes make the page better? No, not at all. No way. Huh-uh. I love Ali’s pages. I made my changes to suit the needs of my photos, my journaling, my overall story, and in order to be authentically me.

Here’s one more –

At Home

At Home - 14760 Lucinda Dr.

Changes I made –

  • The assignment was to choose completely random stories for this page. I wanted to tie my stories together. I’m the kind of person that sees connections where most others don’t (just a funny little quirk and benefit common to many of us with ADD!). I’m happy and comfortable with connections. I’m not as comfortable with presenting random and unrelated ideas. I chose a connecting tie for my stories. They all describe different aspects of living in my childhood home in L.A.).
  • In Ali’s original layout, her photos + journaling columns stretch from end-to-end of the layout and there was no title. I made a title instead of one of the columns. I used the Rule of Thirds to position the height of the title and arranged it as a horizontal line that directs the eye left to right.
  • I turned the page into an asymmetrical design by putting that title in place of one photo + journaling column. While Ali’s personality leans toward symmetry, asymmetry is much more in line with mine.
  • Ali positioned all of her photos above her journaling while I placed some of mine below. This is the kind of randomness I am comfortable with because the other elements of the design tie them together. I did this to add more energy. Also, it places more focus on the journaling than the photos, which works for me here.
  • I anchored my photo + journaling columns to the bottom of the page while Ali anchored hers along the top. (This means, mine all come from the bottom of the page and end at different heights on top. Hers are the opposite. My story is about home so I like the idea of the stories being grounded.
  • I changed the color sources. In Ali’s original layout, there was a space between the photos and their journaling. She put a strip of colored ribbon or patterned paper between each photo and it’s journaling column. Some of my stories were too long and I couldn’t fit anything in between. So I found a totally different way to add color. I used a cream background instead of white, which, again put the focus on my journaling. I added a transparency of blue circles to the bottom third of the page, and I made little blue houses.
  • I chose to go with just one subtle blue color, rather than multiple colors like Ali’s. This worked better to offset the fact that my photos are up and down all over the page. If I had used more colors or brighter colors, the page would more likely look scattered and unfocused. By using just one subtle color I added unity and harmony to the page.

(Note for those who take good detailed looks at layouts — I did intend to add numbers to the number section of the journal boxes. Turns out I forgot! I will be adding those numbers before I stick the layout into its album!)

Want to learn about design?

Design is the main focus of a Paperclipping Membership! You’ll learn techniques and get new concept ideas, but the biggest impact a membership will have on you is confidence, independence, and scrapbooking self-reliance! This is because my focus is on sharing the principles of design so you’ll know why things work the way they do!

You can start your journey toward design mastery and scrapbooking self-reliance. Just click here to begin!