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Archive for the ‘Scrapbooking Supplies’ Category

My 2015 Christmas Product Picks!

Tuesday, November 24th, 2015

Are you deciding what Christmas products to add to your shopping cart?

I went on a Christmas scrapbook shopping spree last week.

I actually did not buy many Christmas-related products over the last few years so I was feeling the pinch when holiday scrapbooking. I figured a more extravagant shopping trip was in order this year.

So I decided to tell you what I think about the product I bought, both the good and the bad!

(Note: For ME, this is an unusually large amount of Christmas product to buy, but we’re all different. I’m curious to hear whether this seems large to you, too, or rather modest).

Paperclipping Vote for Best Christmas Collection Ever…

Click to read more…

The Very Best and Only Good Way to Adhere Newspaper, T-shirts, and Other Stuff

Thursday, November 5th, 2015

Newspaper Articles  654 – Version 2

Newspaper articles, special t-shirts, fabrics and laces — I LOVE scrapbooking with all these amazing things that have special significance in our lives.

They all add texture, both literally and figuratively, to our stories.

I mentioned in a recent Paperclipping Roundtable episode about storytelling that after a lifetime of experimenting with how to adhere these types of story-laden materials, I have come to the conclusion that there is just one adhesive that is good.

It’s gel medium (matte).

And it’s not just good. It’s amazing.

For example…


Click to read more…

Scrap the Back – Paperclipping 276

Friday, October 30th, 2015


This is one of the most common questions I’m asked…

What do you do with the back of your pocket pages when you’re using them as supplements to traditional 12×12 pages in traditional albums?

And this spin off…

Don’t you worry about not having anything in the backs?

So here is my question…

Does this worry keep you from using pocket pages in your traditional scrapbooking?

I hope not. I love the scrapbook pages that are traditional + pocket, side-by-side.

And, no, the back is NEVER a worry of mine. There is plenty to do with them.

Same goes for other unusual pages, like if you ever choose to scrapbook a smaller size page and maybe even rounded the corners!


I’m going to show you a few examples of what I did for all of these. We’ll go searching through my son’s current album for these empty backs and then put together three different pages that have been waiting to be filled.

It’s all a part of this week’s episode of Paperclipping. It’s a video for Paperclipping Members and you can already find it in the Member’s Area and on iTunes.

Want info about a Paperclipping Membership?


Binge-Cutting, Experimenting, & Staying Organized – Paperclipping 273

Wednesday, September 16th, 2015


Are you a binge-cutter?

If not, what is preventing you? Is it the question of where you’ll put all your resulting cuts?

Is it possible that a lack of binge-cutting has kept you from using your die cuts and cut files as much as you would like?

What is binge-cutting?

It’s when you make several cuts in one sitting, usually from an electronic cutter like the Silhouette Cameo, even if you’re not sure if and when you’ll use all of them. You could also call it blind-cutting.

I know from my own experience that I rarely use my Cameo to make cuts once I’ve sat down to scrapbook, even though I love it, and I love my cut files. But if I already have cuts that I made in the past, I easily find uses for them when I’m scrapbooking. They don’t sit in my stash for very long.

Electronic cutting requires you to get on your computer, look through your library or the store to find a cut file that will go with your scrapbooking, and then pull it up, size and adjust it, and then cut. I tend not to even think about it as an option.

But if I run into pieces I cut some time ago, I very, very often use them immediately.

If you’re like me, then you will get much more use out of your electronic cuts if you cut a bunch of them ahead of time, too (I choose white cardstock if I don’t have a specific idea in mind).

What is the drawback of binge-cutting?

Well, the big one is having a bunch of unused cuts and not knowing what to do with them, which means they often end up in piles on our work space.

Not. Good.

Don’t worry. In this week’s video tutorial I did some binge-cutting and experimenting, and shared some different ideas for what you can do with all those cuts that you can’t possibly scrapbook with right away.

I also put a layout together with some of the pieces, and did quite a bit of playing (an example in images above and below).

I hope you enjoy the tutorial.

The video is available now in the Member’s Area and on iTunes.

You must be a member to watch.

Click here to learn about a Paperclipping Membership!


Three Products to Help You Harmonize Your Pages

Thursday, September 3rd, 2015


When I was a girl I fell in love.

I was coloring a page with ocean waters in my coloring book. Instead of using one blue for the sea, I decided to try a mix of blue with aqua. That successful experiment taught me the power of harmonious color schemes. It taught me my favorite way to use color. I’ve been in love with this kind of color palette ever since.

Two kinds of color variety that will harmonize your pages:

  1. Monochromatic: a mix of lighter and darker or warmer and cooler versions of the same color.
  2. Analogous: a mix of two or three colors that are next to each other on the color wheel.

Here are 3 delicious products I’ve been using lately because they give me a perfect amount of subtle color changes, creating a harmonious feeling of movement and flow…

1. A Product to Harmonize Your Title

Amy Tangerine’s Transparent Letter Stickers from the Yes, Please Collection: Each color comes in two tones, and the transparent quality helps them to blend with your background better, too.

How to use it to get harmony: Use both the light and the dark version within your title, like I did with light letters for “Monsoon” and dark letters for “Season.”

Don’t mix it up though, meaning don’t mix light and dark every other letter, or with light popping up sporadically between dark letters. For the flowing harmonious movement we’re talking about, you want the color changes to graduate subtly. Start with one version of the color for part of the way, then finish with the other version.

2. A Product to Harmonize Your Patterns and Embellishments

Amy Tangerine’s entire Rise and Shine Collection: The collection as a whole has lots of different colors around the wheel, but within that collection are patterned papers that wrote the harmonious color schemes playbook with their mixes of tones or analogous hues. And then there is the Transparent Sticker sheet that is my favorite collection of stickers of all time. The image in the link does not show the vibrancy of color that it actually is. You can see it a little more by the doodled “sunset” I added between “AZ” and “Monsoon” in the layout image above.

How to use it: For a super harmonious layout, pick from the papers an analogous color scheme of 2-3 colors as your dominant palette. Then if you want, just add touches of an accent color that is from somewhere else on the color wheel.

And don’t forget the epoxy stickers, one of which I used below…

…which brings us to the most amazing ink pads ever.

3. A Product to Harmonize Your Stamping


Ombre Ink Pads by Hero Arts: These gorgeous ombre inks blend analogous colors for you!

They come in Mint to Green, Red to Ruby, Pink to Red, Butter to Orange, Pool to Navy, Grey to Black, and Lime to Forest Green.

I’m just waiting for them to come up with Orchid to Purple. Oh, hey…I just came up with it for them! Wouldn’t that be a gorgeous addition to these harmonious beauties?

How to use it: Be sure to rotate your stamp a little as you pounce it into the ink so you the different colors blend. Otherwise you’ll have a line between each one.

You can see the Butter to Orange in the sun rays above (I added a bit of Scattered Straw yellow to the bottom) and on this cute fox below, with just a little bit of line between the yellow and yellow-orange. Oops, don’t forget to rotate that stamp sightly as you pounce!


And now you have one key to creating harmony on your layouts!

Get Even More Harmonious

There are other ways to get harmony and unity in your pages. I’m doing a whole class presentation on this called, “Scrapbookers, Unite!” at the upcoming True Scrap event, hosted by Lain Ehmann. For the next few days you can get a half off the sales price.

SIGN UP NOW before the the early bird registration discount go away!

Click here for all the info you need about True Scrap, including a description of my class and the other classes you’ll get to attend!

Hyman Sneak

TS7 Class collage with title

Don’t forget, the 50% early bird discount will go away on the last day of September. Don’t procrastinate and miss out! Click here for info.

(All links are affiliate).

Create Layout Designs From Scraps – Paperclipping 272

Thursday, August 27th, 2015

Would you sometimes love to scrapbook mindlessly?

No thinking, just doing?

Well, I can’t promise NO thinking, but I can suggest a way to do very little of it for the ultimate in scrapbooking relaxation.

It also involves using your scraps, so this method will give you more use out of your favorite papers, in addition to a cushier, more self-replenishing scrap experience.

Imagine sitting down and simply pulling from the top of a pile of scraps to create beautiful layers with lots of different patterns and colors you love…which sums up this method that I want to share with you today.

I demonstrated it twice with two scrapbook pages in today’s new Paperclipping video. You’ll get all the different tips you need to build a layout from scraps with very little taxing of the brain for ideas.

The video is waiting for you in the Member’s Area and on iTunes.

If you’re not a member, please click here to see how easy it is to get started!

How to Pick and Mix Products for Kits – Paperclipping 269

Tuesday, July 14th, 2015

Would you love to be able to mix patterns together into an awesome-looking coordinated group?

Whether you want to mix patterns for a single layout, or as a kit that will coordinate an entire scrapbook album, there are things you should understand about color…

Three Important Things to Understand About Color

A single hue can have many different versions. There are three things that decide how a single hue, such yellow, will actually look. Knowing what these are can help you better understand how to mix and use color.

1. Tonality (tone) – Tone refers to how light or dark a color is. Color is made lighter with white and darker with black. The paper on the far left with the lines of triangles shows a variety of tonalities of the same colors (turquoise, green, and yellow):
See the different versions of yellow? They are the same yellow except in terms of their tone, which changes from light to dark. Same with the turquoise and green.

It’s easy to mix a variety of tones of the same color in your kits without running into any matching difficulties. In fact, variation in tonality is a really good idea, so go ahead and mix lights and darks of the same color.

2) Temperature – The temperature of a color depends on how warm or cool it is, which depends on how much yellow or blue has been blended into it. The pink and mustard stripe on the left in this picture below is very warm. The paper with the spokes on the right is cooler (though not totally cold because it has both warms and cools).
We typically say the warm colors are red, orange, and yellow, and the cool colors are green, blue, and purple, but that is not entirely correct. You can actually get warmer and cooler versions of every color. It is okay to have some cools and some warms together in a single kit, but it’s a little trickier than mixing a variety of tones.

3) Vibrancy – Vibrancy has to do with how bright or muted a color is. It is very hard to mix vibrancy within a color grouping and get it right, so if you are newer at color, it’s easier to stick with colors of the same vibrancy.

The spokes in the paper above are very vibrant, but the blue background is muted. They work well together because their temperatures are similar. The muted blue works well with that tiny bit of eggplant just to the left of it because they have a similar vibrancy and their temperature is not too different. Their tones are very different from each other — remember, it’s good to have a variety of tones.

But the paper with the spokes and the paper with the pink and mustard stripes are horrible together. They have very little in common — their vibrancy is opposite, their temperatures are different. There just aren’t enough similarities to unite them.

It is possible to have both muted and bright colors within a group (as you can see that it works in the paper with the vibrant spokes but muted background color), and the sooner you master temperature, the sooner you’ll be able to mix vibrancy well.

Most Common Color Problems

When scrapbookers come to me with color challenges on their layouts, the most common problem I see is vibrancy mixes that don’t work. The second most common problem is that the colors are not balanced across the page.

You learn it by seeing it.

  • Would you like to see me take a big mix of papers from different designers and different years and put them together into a beautiful and exciting kit?
  • Want to see examples of papers that work well together and papers that don’t?
  • Do you want tips for making the process easier?
  • Would it help you to see me create a style-vibe for a kit?

Today we released a new video that takes you through my process of making a coordinated kit for an entire album. You’ll not only see these color principles at work, but you’ll also see the inspiration behind achieving a specific style with variety. You’ll see pattern-mixing, choosing or eliminating papers, and you’ll see me assemble a layout from the new kit.
This video is for Paperclipping Members and is available the Member’s Area.

CLICK HERE for information about a membership!

Shine On,

Four Ways to Use Up Your Letter Stickers – Paperclipping 265

Tuesday, May 26th, 2015


Don’t you hate it when your favorite package of letter stickers becomes practically unusable after creating only one or two pages with it, ever?

And sometimes it’s not just that it’s your favorite, but that the package is the one-and-only perfect match for the layout.

Sure, we all do our best to alter the remaining letters to make them look like the ones we need, but that only works so long, and then you’re left with a lot of letters you can’t really use.

So I’ve got four other solutions.

In the video I just made for Paperclipping Members, watch what I do to get more out of some of my favorite packs which, unfortunately, I made the mistake of only buying one of, each.

I’m pretty close to using all the letters, despite the fact that I consumed all the common ones right after I bought the darn things. Let me show you how you can do that, too, and start getting a lot more out of all your packages of stickers.

The video is in the Member Library and on iTunes.

Not a member? Click here for info!

Shine On,

Organization for Your Workflow – Paperclipping 263

Friday, April 24th, 2015

IMG_4504 (1)

Three questions for you…

  • How well do you know your scrapbooking process?
  • Do you know your process so well you’ve arranged your supplies and space in a way that facilitates it?
  • Does your setup help you flow through your scrapbooking, moving you along from one step to the next without much pausing to find or move things?

Click to read more…

Organizing Cutting Supplies – Paperclipping 262

Monday, March 30th, 2015

cutting_supplies_org 1

What is your biggest challenge when it comes to cutting supplies and organization?

For a lot of people, it’s how to store the extra leftover cuts you don’t end up using in a project.

Do you struggle with where to put them? Or do you have a place for them, but find they never get used?

Maybe your biggest problem is that the cutting tools pull you out of your flow, so you don’t even use them much. Do you find that you neglect your electronic cutting machine, or your die cutting machine?

The reason could simply be that the location of these machines and their supplies breaks up your workflow.

So what is it for you?

When it comes to punches, die cutters and their dies, electronic cutters and their accessories, and all other related supplies including the leftover cut pieces, which of these gives you troubles?

Leave a comment and let us know!

Then if you’re a Member you can watch the episode we just released this morning that shows how I set up the cutting area of my scraproom. You’ll see how it supports my workflow, and you’ll see what I do with my leftovers.

Lastly, you’ll see me assemble the layout in the image above as I share lots of design tips for creating a unified page.

Are you not yet a member? Please CLICK HERE to learn about a Paperclipping membership.