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Ready for an Idea Burst?

Thursday, October 21st, 2010

Did you know that by jumping on an idea, you feed your mind’s ability to generate even more ideas?

Progressively better ideas!

And if you continue to act immediately, your ideas will multiply to such a beautifully overwhelming amount, you’ll have a plethora of projects to choose from at any given time! More projects than you can complete (which is why I’ll have an article in November that shares how I deal with incomplete projects. Go ahead and free yourself!)

If you get an idea for digital scrapbooking but you’re missing the supplies, you can purchase them online and start right away! Not so if you’re missing essential supplies for paper scrapbooking. But don’t let that stop you! I start projects a lot before I have all of the essential parts.
queen_of_organized_1
You might remember this mini-book page from Paperclipping 150 – Task Batch Minibooking. You saw all of the pages of that mini. Did you ever notice that I never showed you the cover? That’s because I didn’t have a cover. I used the leftover pages of another mini-book, and I figured I would eventually be able to find some chipboard for the cover. At the very least, I could cut some chipboard down to the size I needed.
Oct2010 1290
And that is exactly what I did. I found two large pieces of chipboard and I cut them to fit two different books (because I immediately started a second cover-less mini after I completed the pages you see here). Now I just need to find the o-wire in the size I need so I can bind it!

Problems From Lack of Planning

Of course, you sometimes run into problems when you don’t plan ahead of time. But then you exercise and increase your creativity even more by figuring out how to make your hodge-podge of pieces come together. For example, when I was making the pages of this mini-book, sans cover, it didn’t occur to me that the front side of the first page and the back side of the last page would be bare.

I had jumped on my idea and made four 2-page spreads with no thought for the morrow. And when the morrow came, I had to decide what to do with the first and last blank pages. I didn’t really feel like making an intro page. So this was my solution . . .
Oct2010 1292
I stuck the left page onto the inside cover and added the pink patterned paper to the remaining length of bare chipboard, since the chipboard was so much longer than my pages. I did the same thing with the back.

BEFORE:
queen_of_organized_10
AFTER:
Oct2010 1304
Of course, this was a pretty simple problem, relatively speaking. It wasn’t as difficult to solve as my attempt to turn a Mexican punched tin mirror into a mini-book cover . . .

Making Room for Complicated Problem-Solving

Mexico Mini from Punched Tin Frame
I bought the mirror without any idea how I would actually pull it off. There were a few days when I almost hated that mirror. It was hard to figure out how to make it work! And it’s a little weird, maybe. But I did it! And I’m glad I did. I’m positive I’m more creative now than I was before I made that thing.

;)

Plus I love looking at the pages. Here are a few, but you can see them in my Mexican Minibook Flickr set.
Mexico Mini 2
Oct2010 1294
Oct2010 1299
Oct2010 1302

So here’s where I encourage you to act on your ideas as soon as you can, even if you only have a few minutes or you don’t know how it will come together. Even if it means you’ll only assemble the part that is already in your head and you’ll leave the rest to figure out later.

I’ve actually been revamping my scrap room to better facilitate idea bursts and project-beginnings. I’ll share the results with you in November! Maybe you’ll have a pile of unfinished projects by then and will need the tips!

Weekly Roundup

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free?
  • We’ll have another extra goodie for the Paperclipping Members next week as we continue to celebrate Paperclipping’s birthday! If you’d like to get your membership in time for it’s release, please visit the Membership Information Page. You’ll get immediate access to the archives of over 150 tutorials to hold you over while you wait!

The One Thing You Need To Do to Be Creative

Wednesday, October 13th, 2010

2nd_office_11
In the scrapbooking community, people are always making blanket statements to readers that we are all creative. I don’t know how many times I’ve read on a blog, “YOU’RE CREATIVE!”

Do you ever feel like it’s just a bunch of RA-RA? Self-improvement feel-good hype?

I want to give an explanation for WHY every single person actually does have everything they need to be creative — really truly. No hype.

What makes something creative?

I’ve come to the conclusion that every new and creative innovation, large or small, comes from one act: the act of combining things that have never been combined, or that are not commonly combined.

In other words, creativity is the pairing of two or more things together.

What kind of things? Lots of kinds . . . .

  • ideas, beliefs, thoughts
  • techniques in any field of interest
  • styles
  • items
  • purposes
  • sollutions

That is the principle of creativity — pairing things that already existed independently of each other. Most commonly, it involves taking something that is already common to a group of people, and combining it with something from our own individual experience.

Let’s move away from the abstract talk now and get concrete with some examples. Here are some examples of my own little acts of creativity, broken down into the two or more combined things . . .

Coffee Sleeves Book

2nd_office_1
I took two common things/ideas . . .

  • a mini-book bound with book rings
  • using everyday disposable items

and combined them with my own common experience . . .

  • coffee sleeves

It took no great act of thought. I was writing at the coffee shop almost every day and feeling wasteful with all the disposable cups I use. At the same time, I wanted to make a book that tells the story of my writing excursions. The book seems like a totally logical and obvious conclusion once you think about it.

Tags, Wires, and Beads

hyman_tribe_closeup
One time I saw Ali Edwards take a circular stamp filled with journaling lines, and stamp it four times in a row, each image touching slightly. Then she journaled, using those four stamps as one big journaling space, instead of four separate ones.

I’m pretty sure I took the idea of combing multiple spaces and using them as one when I decided I needed a way to use up my tags . . .
hyman_tribe_closeup
I combined at least five things to come up with this . . .

  • the idea of turning multiple spaces into one space
  • my need to use up some tags
  • the need to link the tags
  • my love for wires
  • swirls and wavy lines

Later on, I took my wavy wired tags and combined them with . . .
socks

  • my love of beads
  • Glimmer Mist and Distress Ink
  • the act of layering handmade embellishments
  • my heavier wire and the problem-solving realization that the wire doesn’t have to go through every tag

socks_closeup_tags

Why Every Person Has Creative Abilities

Creativity is not the act of making something totally new. Because it’s only a matter of combining something that already exists — even something common — with something else, anyone can be creative. You can take your own life experiences, your own beliefs, thoughts, personal tastes and interests, and bring them together.

Sometimes I do this on purpose. I look for an item in my stash that is totally unrelated to the item I’m already working with, and then I figure out how to combine them. It’s a great exercise in creativity and a good way to get excited about something old and stale that’s been sitting in your scrap area for too long.

But more often, I’m just putting a little bit of myself into something a lot of people are already doing. Making it my own. We can all do that! All it takes is paying more attention to yourself and a little less attention to everyone else. That may sound selfish, but it is such an unselfish thing to share!

It requires a tiny amount of risk if you’re used to relying on other people’s designs for your scrapbooking or crafting.

It means taking a little time to think.

And it very often happens when we have a problem we need to solve. But that is the topic for a future article to come.

Weekly Roundup

  • Extra Member’s Content - As part of our birthday celebration, I gave our members an audio discussion I had with Lain Ehmann on using design and photography to tell our stories, and on choosing decorative items with intention. If you’re a member and haven’t heard it, be sure to refresh your iTunes account or check the Member’s Area! If you’re not, you can learn about membership here.
  • The Paperclipping Roundtable - I Fought Sorting By Color
  • The Paperclipping Digi Show - Purple Is A Death Sentence

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Izzy will be making his very first scrapbooking project! You’ll want to see this!

Three Tips for Purchasing Halloween Scrapbooking Supplies

Friday, October 8th, 2010

Halloween Wine Bottle Quirkiness
Do you have Halloween projects you’re preparing for? About to make some Halloween purchases? I have a few tips that will help you save money. These apply to the other holidays as well, so if you’re already beyond me in your holiday preparations, you might benefit from these tips as you prepare for Thanksgiving and Christmas.

Please read on for three money-saving tips for Halloween scrapbooking supplies . . .

1- Make A Conscious and Specific Style Choice

Some of us do Halloween shopping with too broad of an approach. We think the Halloween theme is specific enough, but it’s not.

Halloween is a theme; it isn’t a style.

Within the Halloween theme, it’s extremely helpful to pick a specific style or look. There are childlike, cute Halloween styles. There’s the gloomy, dark and scary Halloween. There’s Victorian Halloween. There is quirky Halloween.

You know me . . . I love to mix styles together. But remember, mixing styles should be deliberate so that you balance them in a way that creates unity among the styles.

A benefit of identifying a conscious and specific style choice is that you will be less likely to over-purchase because you’ll narrow your options.

My style is a mix of elegant Victorian Halloween with a quirky slant. I love adding the quirky spin to something elegant for this holiday, like the loopy spiral-shaped beads with black flowers sticking out of the wine bottle I altered (the wine bottle is in the top photo).
Halloween Wine Bottle Quirkiness Top
Shiny beads = elegant.
Loopy beads splayed in multiple directions = quirky

Sheet music = elegant.
Sheet music rolled up to extend the nose of the bottle with black flowers spraying out the top = quirky

2- Buy Scrapbooking Supplies That Complement Your Halloween Decorating Style

I have two reasons for this:

  1. Halloween is a great opportunity to display your Halloween-related scrapbook pages, albums, and minibooks. It’s better when they fit right into your decorating!
  2. You will be able to use your supplies for both handmade decorations and scrapbooking. This will save you lots of money.

3- Less Halloween-Specific Pieces + Lots of Non-Specific Pieces

I only buy a few favorite supplies that are specific to Halloween every year. I know “few” can be relative. Let me be specific:

This year I bought just one piece of Halloween patterned paper.

Ghost Story

I chose it in part because it was designed to be versatile enough to use for non-Halloween projects, since I still had a two very specific papers from last year. You’ll see why this is enough as you continue reading.

I bought one package of Halloween-related charms. Of the six charms, three can be used for non-Halloween projects.

Toil and Trouble Metal Charms

I also had a few charms left from last year and a couple of stickers.

With that small amount of stuff, I was able to make a good-sized mini-book (you’ll see it later in the month), alter my wine bottle, and I still have more than what I need for next year. How can that be?

Most of my supplies are general purpose. I used Victorian-styled papers with black flocking, for example. I used beads and black flowers. I used flourishes and painted them black, then added Rock Candy Distress Stickles . . .

Halloween Wine Bottle Quirkiness Label

You only need one or two Halloween-themed symbols within the framework of non-specific blacks or oranges to speak the holiday.

Hopefully this gave you a few money-saving ideas to help you with your own Halloween decorating, crafting, and scrapbooking this month!

* Some links are affiliate links.

Weekly Roundup

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Izzy will be making his very first scrapbooking project! You’ll want to see this!

Scrapbooking Ideas Come Easy When You Understand Design

Thursday, September 23rd, 2010

Atlantis

I got an email from someone who recently discovered Paperclipping and, since so many of you are trying for better design expertise, and some of you are struggling with the same fear as she is, I wanted to share her question and my response:

I love your tutorials. I am too scared to scrapbook, even though I want to do it so very much. I know some of the basics of design but can’t tell myself if I did the right thing. Would you please incorporate a video with some example showing right/wrong.

There really is no wrong! If you like it, it’s right.

BUT, I understand that sometimes we don’t like it and we can’t figure out WHY. This is one of the coolest things about knowing design principles: it becomes easier to figure out why something isn’t looking right to you, and what to do about it. Another of the coolest things is that design principles help you come up with scrapbooking ideas much more quickly!

But here’s the thing — you won’t get it down by learning about a principle once. It doesn’t work that way. Here’s what it does take, and here’s what you can do with the Paperclipping Video Tutorials to help you really master the use of design in your scrapbooking and papercrafts . . .

How To Learn To Use Design Principles

  1. Learn about a principle by reading about it or watching a Paperclipping Video Tutorial.
  2. Analyze great-looking scrapbook pages, cards, and other designs to figure out what principles are helping them look great.
  3. Practice using the design principles yourself.
  4. Analyze what you made that you’re not happy with, trying to figure out which principles you could employ.
  5. Learn more principles, since understanding one will often help you understand another, or review principles you already know.
  6. Analyze more scrapbooking pages and designs that you love to figure out what principles are helping them look great.
  7. Practice using the design principles yourself — again.
  8. Analyze what you made that you’re not happy with, trying to figure out which principles you could employ . . .

Are you seeing the pattern?

Learn * Analyze * Practice * Analyze * Learn * Analyze * Practice * Analyze * Learn * Analyze

You can’t just read about a principle. You can’t just watch a video. You need to analyze and practice, and then do it again. If you wait to scrapbook until you get the principles down, you’ll just never get them down at all! It takes doing.

And it’s okay to make something you don’t love (I do it a lot), to figure out what you would differently next time (I do that, too), and then put the perfectly imperfect page in your album and keep trying!

It’s a learning cycle.

Before and After Videos

I have at least two video tutorials where I analyzed layouts I didn’t like, identified some helpful design principles, and then employed them.

If you are a Paperclipping Member, you can re-watch these episodes as a reminder. Do you wish you were, but aren’t? With 153 episodes, many of which discuss design principles, you will learn to to make scrapbooking ideas and fixes come easily!

Weekly Roundup

Heads Up!

Boost your Creativity with Inspiration Adventures

Thursday, September 16th, 2010

red pin wheel
Last weekend I took an Inspiration Adventure. What’s an Inspiration Adventure? I made that term up, but not the concept (although, I’m sure someone else has used the term, as well!). An Inspiration Adventure is where you depart from the usual inspiration models — scrapbooking magazines, blogs, and websites — and you actually go somewhere for new types of inspiration where you’ll use your body and your senses.

Mini Adventures

  • In your home town
  • Between 20 minutes to an hour in length
  • See old things with new eyes — because these adventures are local, and we tend not to appreciate the subtle and common beauties of our own towns, these require us to search deeper and observe more.
  • Can be done often and regularly

Major Adventures

  • Away from home
  • Might take a day or an entire weekend or more
  • See and experience new things

My adventure of last weekend was a Major Adventure. Izzy and I took a weekend visit to an artist town a few hours away called, Sedona. Sometime in the future I will share photos from my local mini-adventures. Here are some of the inspiration photos I brought home with me from the Sedona Major Adventure. . .
Rose in front of blue wall

Recycling

zen

turning

Creative Stimulation & Idea Gathering

By walking around, you are stimulating your creative mind in a different — a very healthy and active — way. Take your camera with you, and possibly a notebook to write down your thoughts. You will bring home new inspiration and energy, which you can use immediately.

You will also have a supply of photos you can look to any time, now and in the future, as a resource of ideas for new color palates, textures, and interesting lines and shapes to translate into your projects.

Arch and wood

Flowers in front of blue wall

sophocles eyes

plafully industrial

roses with peaceful foot

Colors and texture

red and orange

Roses in front of blue wall

peaceful hand

So how do you embark on an Inspiration Adventure?

1) Get on your feet — or on your bike — and go explore an interesting area.

Are there no interesting areas in your town? Then explore a non-interesting area. I used to think I lived in an uninteresting town, but once I started looking at it through my camera, I realized I was wrong. Also, uninteresting things can be made fascinating through the lens.

Here are some areas to start with . . .

  • nature areas
  • independently owned shops, both inside and out
  • larger shopping areas, including those filled with chain stores, focusing on the landscaping, decorating, and architecture of the outdoor area
  • downtown area
  • museums
  • run down neighborhoods
  • art galleries
  • parks
  • zoos

2) Take Two Types of Photos

  1. inspiration images (colors, shapes, textures, material), like the pictures above
  2. inspiration projects (actual projects you want to make yourself)

I like to take the first type — inspiration images — with my good camera. They are a great way to practice seeing objects in different ways, and to practice composition, creating lines and the juxtaposition of different textures, shapes, and colors. These photos force you to look at the details.

For the second type — inspiration projects — I just use my phone’s camera and I don’t worry about composition or getting a good shot. I only capture these so I can remember the idea I had for a specific project. While the point of my adventures are to get inspiration, the point of this second type of photo is just to remember a specific idea.

3) Translate your Inspiration Images

Here are a few different approaches . . .

  • Analyze and learn. Digest the inspiration and let it mush around your brain with what is already inside. It will take its own form and translate indirectly in your future projects.
  • Practice translating the inspiration directly by experimenting with the colors, textures, and lines in an art journal or practice book.
  • Translate directly by conceiving and starting a specific project that incorporates some of the colors, textures, or lines.

the hard part . . .

The hardest part in all of this is to learn to see that there is inspiration where ever you are and where ever you live. The second hardest part is learning to give yourself the opportunity to actually do it. You can help yourself out by deciding right now where you could go this week — somewhere within 15 minutes of your own home. Commit yourself by sharing the destination of your upcoming Inspiration Adventure with us in the comments!

Weekly Roundup

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free? We’ll be giving away one entrance to Lain Ehmann’s Layout A Day month-long challenge event, and we’ll have a professional organizer call in for part of the show!
  • The next Video Tutorial will go out to the Paperclipping Members next week! If you’d like to get your membership set up in time for it’s release, please visit the Membership Information Page. You’ll get immediate access to the archives of over 150 tutorials!

Before I sign off, I wanted to remind you to share with us where your Inspiration Adventure will be! And don’t forget this week to have fun paperclipping!

How To Choose Your Best Vacation Photos

Thursday, September 9th, 2010

Big Pinwheels
Hi, again!

How many photos did you shoot on your last vacation? I asked this on Twitter and answers ranged from 93 to 500, and all the way up to 1,800!

With all those photos as options, what is the maximum amount of pictures you’ll feel comfortable using in one scrapbook project for that vacation?

Will you do one scrapbook page? A vacation album? A mini book? Basic photo pocket pages?

Here are a few things you can do right now to help you with that often overwhelming decision:

  • Pick out your favorite must-use photos before you decide on your scrapbooking format. Count the number of photos.
  • Of those favorites, identify the photos that would make great focal point photos and need to stand alone on their own page
  • Decide which ones you would feel comfortable cropping into smaller sizes. How small could they be and still look good?

You should now have a solid idea of which of those format options will work best for your needs (scrapbook page, mini book, etc). Of those remaining options, you can just choose the one that sounds like the most fun! The hard part is that first step of whittling a large group of photos down to a manageable, usable amount. Instead of asking, “Which ones can I do without,” I usually ask . . .

Which are the ones that best tell the story?

There is something about that question that helps me identify photos I most want to work with, and still feel okay about not including the others in my scrapbooks. Of the 114 photos I took on our recent trip to San Diego, I chose fourteen pictures in one quick sitting, thirteen of which I shared on my personal blog here and here.

What makes one photo stand out over another? Here are some of the characteristics you can look for when choosing which to print for your next scrapbook project:

Makes you pause

It doesn’t matter if the picture is technically great or not — if it catches my attention in a different way from the others, if I get a little feeling in my heart, if I catch my breath when I see it, even for just a second, or find myself wanting to gaze at the picture longer than the others, then it’s usually going to land on my scrapbook project.
Aug10 788

Shows emotion

You might say that any picture of someone smiling is showing an emotion. But a posed smile is not the same as a genuine belly-laugh smile — genuine emotion prompted, not by a camera, but by life itself.
Aug10 780

Captures a quirk or demonstrates a personality

Aiden’s shorts kept falling down and he spent most of the beach time with his hand trying to hold them up. I love having this subtle but humorous capture . . .
Aug10 772

Has energy and movement

There’s just something about those legs, mid-walk to the water, along with the excited faces, that made me love this photo.
Aug10 762

Makes a statement

Posed shots are not my favorite but there’s no denying, my daughter Trinity is photogenic. Her confidence, the boogie board, plus the lines of her body intersecting with the ocean line all add up to one strong, confident statement. It makes you stop and look. And that just feels good.
Aug10 742

Shows a relationship

In this picture, Izzy is showing the kids how to catch a wave with their boards. I love pictures of two people doing something together.
Aug10 791

Gives a different perspective

It makes for great variety when you have one good shot that either comes in close or zooms way out to show the setting.
Aug10 847

Captures the action that is happening

Again, these types of shots are great for genuine, un-posed story-telling. They’re also more interesting because of their energy.
Aug10 833

Tells the missing parts

Let’s face it: if we only use our favorite photos, much of the story will be missing. Sometimes the only shot I have of a person that was present at the event is not a great one. Once I’ve chosen the photos I love, I sometimes add one or two that are lower on my love-list, because I need them to complete the story. I don’t have an example of that kind from this particular trip, but you know what I’m talking about, right?

Putting Your Finger On It

While you’re getting used to assessing WHY certain photos grab your heart, another more general guideline is to pay attention when you find yourself saying, “There’s something about the way she . . .” or “There’s just something about his . . . “ In other words, learn to notice the feeling that signals a photo is better than most, and with some analysis and learned skills, you may eventually learn to identify the reasons and get those great shots more often!

How To Get More Impact With Less Effort

Wednesday, September 1st, 2010

impact_images

A couple weeks ago during Paperclipping Live!, an audience member suggested I place a flower underneath the metal clock that I would be adding to my page as an embellishment. I love the idea of placing a metal clock on top of a soft flower — that is exactly the kind of contrast-layering that excites me. But I didn’t want to do it this time. Why not? I explained to the audience that because the paper underneath was a busy floral pattern, the flower would have little impact. It would look fine, but it’s curving petals would only be minimally detectable above the curving lines on the patterned paper.

Then I showed some patterned paper with graph lines — monotone paper with straight lines that would contrast with the curving organic lines of the flower — and explained that setting the clock on top of a flower, on top of the graph paper, would have great impact! It would definitely be worth it in that case!

This is a concept Izzy and I use for business decisions, and it’s one I have often used while scrapbooking, but I never thought to actually verbalize it until that night during Paperclipping Live! At that moment I decided to make it another of my scrapbooking mantras . . .

Invest in actions that cause maximum impact with minimal effort.

You have a finite amount of time, resources, and attention. How can you focus on the actions that will make a difference?

  • Ignore the temptation to keep adding embellishments, just because you have embellishments that match the colors or the theme. If the page looks good with what you’ve already placed on it, call it done and move on.
  • Use fewer photos on your scrapbook pages — just enough to tell the story. Satisfy yourself with enjoying the rest of the photos on your computer, on your blog, or as a framed slide show.
  • When deciding whether to fix something that isn’t as perfect as you wish, determine how impactful it would be to “perfect” the problem. If it would make a huge impact, it’s probably worth the effort. If the impact would be small, then why bother?
  • Buy scrapbook items that are versatile for a number of layout subjects, rather than specific themed subjects. Buy letters stickers in classic fonts, and in colors like black, white, or brown –colors that will work on any page, with any color scheme.

Next week’s video tutorial will highlight one product I have used again and again, in multiple ways, and with multiple styles. It is a tiny little embellishment that has had enormous impact!

This episode will be for the Paperclipping Members. Now that you know the topic, you can decide if this is the right time to get your membership, and whether a membership will be the impact you need to make your scrapbooking even more personal and more unique. Take a look at the details here.

Weekly Roundup

Heads Up!

  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free?

Last week, one of the Paperclipping Members, Karen, was feeling stuck and unhappy with a few layouts. She took advantage of my offer to Paperclipping Members: If you have a design problem, you can send me a picture of your layout and a description of what is bothering you. I will share your page with the audience during Paperclipping Live! and give you some personalized design tips. You don’t have to be present during the live show — there will be a recording for you to watch when you’re available!

Sometimes we can use a little help applying the principles in the videos to our own projects. I want to make sure our members get as much out of the videos as possible! And if you’re not a member but have been enjoying all the other stuff we have going on around here, I want to thank you for participating and contributing your own thoughts and ideas!

Best Regards,
Noell

Five Things That Could Be Missing From Your Scrapbooks

Thursday, August 19th, 2010

Memorabilia 924 - Version 2
Ever since I went through my old-school scrapbooks from high school and college a year or two ago, I’ve been on an escalating (though quiet) rampage regarding Life-Stuff — in other words, memorabilia and ephemera. I realized I enjoy my old scrapbooks — void of cute papers and embellishments, but packed full of stuff from my life — as much as my current ones, which were heavier on the “cute,” but lighter on the “life.”

Some memorabilia can tell the parts of the stories that our words and photos leave out.
Skeptical? You’ll see some examples below.

Life-Stuff Worth Keeping

In addition to the obvious ticket stubs, play bills, and post cards, there are other types of memorabilia/ephemera you might not have considered. Here are five qualities that compel me to save some memorabilia while tossing the others:

1) Tells something about your life.

While the left pocket in the memorabilia protector below holds the common concert memorabilia, the pocket on the right is holding ephemera from my favorite clothing store. Those items say a little something about me right now. Eventually these pieces will move onto a layout or mini-book.
Memorabilia 916

Some items tell a more subtle story about things that are going on in your life. At the end of the school year, Aiden’s teacher sent home a bunch of his first grade schoolwork. As I fished through the pieces, deciding what to toss and what to keep, I found the page below in a Valentines book where Aiden drew a picture of himself handing his great grandmother a heart.

At first I thought it was strange that he depicted Grandma Holt in bed, until I put the clues together and remembered that the month before he drew it, we had been visiting her in hospice. She died a couple weeks before Valentine’s Day. This drawing means that our visits, and Aiden’s relationship with Grandma, had enough of an impact on him to include it in his Valentine’s story two weeks later.
Memorabilia 903

2) Captures handwriting

The handwriting alone doesn’t do it for me, since we’re talking about collecting current ephemera, and there are a lot of possible pieces to save based on the handwriting criteria alone. But coupled with something else on the list, it’s very cool. Below is a story in Blake’s handwriting. He is a natural writer and I noticed that he used story-writing as a way to deal with a frustrating scenario involving a sibling.
Memorabilia 911
Actually, I’ve noticed he’s not the only one in my family to deal with situations this way. I may (or may not) want to combine these stories about various family members into one scrapbook story about family tendencies.
Memorabilia 906

3) Demonstrates learning and progress of a skill or natural talent

Aiden is also a writer — actually all five of us are — and after he wrote the “book” below, he pointed out to me that he included a problem and a solution in his plot-line, something he had recently learned.
Memorabilia 908

4) Demonstrates a person’s interests, natural tendencies, personality

Trinity draws almost every day, and most of what she draws has bright colors, hearts, and rainbows. I want to share her common art subject in a future scrapbook page, and I decided to save one that also included characters from her favorite movie, Hairspray.
Memorabilia 901

5) Shows a relationship

Below is something I saved that my Dad wrote to me, way back in 1980.
Memorabilia 919

When I was around fourteen, I decided to save this playful piece of paper my sister and I occupied our minds with during church. I could just journal something like, “My sister and I loved to play and tease, even during church,” but that doesn’t say it the way this does . . .
Memorabilia 922

And this is something I found in a paper pad. It’s the score sheet kept by one of my kids’ favorite babysitters from a game she played with Trinity. I love that Emily’s teasing personality will be forever implanted in our memories with this one piece of paper.
Memorabilia 913

Are you ready to start USING your memorabilia and need some inspiration? Below are some links to episodes with some layouts and mini-books. Paperclipping Members can watch the corresponding episodes in the Member’s Area, but if you’re not a member, you can see the projects in the blog post. If you want to see the tutorials as well, please click here to learn to learn about membership.

Everyday Items (for memorabilia specifically, look for the Starbucks mini-book)
Using Newspaper Articles on Layouts
Vacation Mini-book
Love Notes Mini-Book

A few more standard scrapbook pages:

Comfort Zone
Artsy Girl
Typical Friday

Weekly Roundup

Don’t Forget!

You Voted!

I’m happy to say that audience interest in tutorial topics were spread almost evenly among all four of the possibilities I shared last week. This means I’ll probably eventually do all four of them over the next six months (or sooner). I did count up the votes, though, and there was a clear winner. A majority of you voted on this episode topic:

Mini Scrap Clusters
Fill empty spaces with clusters of leftover scraps of papers, ribbons, etc.

Thank you for helping me choose our next Papercipping Video tutorial! We’re taping it today. Watch for its release soon!

Best Regards,

Noell
Host, Paperclipping

How to Capture The Setting and Set The Mood

Wednesday, August 4th, 2010

Pheonix, North East of Mesa
Taking a wide-angle photo is a great way to establish the setting of the story you are trying to capture through photos. Emphasize the mountains towering over your subject, make the sky and clouds appear more ominous, or give your neighborhood street the nostalgic vastness that resembles the way our minds remember them from our childhoods — larger than they actually are.

It’s easy to do. But before I tell you how, let’s look at the difference it makes in terms of telling the story…

Not A Wide-Angle Shot

Pond, Jameson Missouri
This photo of my kids is not a wide-angle shot, though it’s still beautiful. Both of the above pictures show the natural surroundings, but the emphasis of each picture is different.

  • First Photo – the mountain and the clouds tower in the distance. It isn’t just a picture of my husband and me with our hands in each others’ pockets. It’s a story about the height of the mountains in the distance, and the possibilities ahead.
  • Second Photo – this shows all the lush Missouri green around the pond at my parents’ farm. But this photo is not as much about the pond as it is about my two kids pausing to look at it.

So how easy is it to get these mood-establishing shots that emphasize setting? It takes one step . . .

1) Zoom out.

That’s it! When you zoom way out, you will start to get this slight distortion, because in order to get wider coverage, your camera will curve the view.

Of course, it requires the ability to zoom out in the first place. Distances will stretch and the proportions of items will increase as you shorten the focal length — for example from 35 mm, to 28 mm, to 24 mm, etc. The wider you go, the more distortion you get.

Here are a few more examples of how I established mood, or emphasized larger-than-life surroundings with slight wide-angle shots . . .

Tubing At Canyon Lake

Canyon Lake Tubing

Hello, Tuscon!

Hello, Tuscon!

Our Park: The Morning After Rain

The Morning After Rain

A New Pond From The Rain 2

A New Pond From The Rain

Next time you’re photographing something significant outside, try zooming all the way out to get a nostalgic setting shot.

Weekly Roundup

Heads Up!

  • Paperclipping Video Tutorial – Watch for it on Monday! (This is the one I previously mentioned about a method to help you finish your minibooks.) It’ll be a Member’s Only episode. If you want to read about our membership before it releases, please go here.
  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free?
  • The Paperclipping August Challenge

Summer is almost over! You’ve probably taken vacation and holiday photos. Have you documented the every day of summer time? I have, and I’m excited to share it with you as part of Monday’s video tutorial.

Best Regards,

Noell
Host, Paperclipping

5 Step Mini-book Prep — Using Memorabilia

Thursday, July 29th, 2010

summer_outdoor_food
Hi, again!

I love really detailed three-dimensional mini-albums. I have a few that are long-term projects that I complete just one page at a time when I get the urge. I’ve also done a few very simple mini-books that I whipped through in one or two sit-downs.

I tend to feel less satisfaction with those faster ones, though. So mostly I make (or start!) a lot of mini-books that are somewhere in-between. In other words, I expect to complete them in a reasonable amount of time, but I also begin by loading them with lots of details. They end up taking me longer than I expect, and before I’m done I find another album or project I want to begin. Does this sound like you?

A Faster Approach

Well, I’ve come up with a new approach for these mini-books — the books for which I have high-expectations of stellar awesomeness, but that also need to get done within a reasonable amount of time. My new method has been great so far, for both a digi-heavy mini (sneak-peek above), and for my traditional tactile books (sneak-peek below). The method helps with mini-book completion in two ways:

  • It makes the process faster.
  • It allows you to simplify your final design — midway through the process — if your dreams of the “best mini ever” begin to feel overboard. But you’ll be able to switch gears without ending up with an intricate first half and a “clean and simple” second half.

The other cool thing is that this method came as a result of good design technique, so you won’t be compromising on design. In fact, it will help give you a great foundation in design for each mini-book page.

Interested? It’s the topic for the next Paperclipping Video Tutorial. I’ll show you how this method helped me with a digi-heavy book, as well as a purely paper one. You’ll need a membership to watch the episode and learn the method. So if this is an area you struggle with, but don’t have a membership yet, you can see how to get one by clicking here.

I had hoped to release this on Monday as the first of our August tutorials. It’s much heavier in content than usual, though, and it won’t be ready in time for Monday. We will release it as soon as we can. For now, I’ll share 5 steps for prepping a mini-book that uses multiple items of memorabilia…

5-Step Mini-Book Prep

organized_record_keeper

  1. Memorabilia – Fish through your memorabilia to find two or more pieces that are related. For example, in the book above, I found four different pieces that demonstrate how organized my daughter likes to be. Some other ideas: concert tickets, items from favorite places around town, school work, etc.
  2. Photos – Find two or more photos that will help tell the story of your memorabilia.
  3. Colors – Lay the photos and memorabilia on your table. Do they contain a hodge-podge of different colors? Congratulations! You now have your color palette! This is how I chose the color scheme for my paper album above: I had an orange piece of memorabilia, a pink piece, and two photos with green.
  4. Patterned Paper – Find patterned paper to go with the color palette of your photos and memorabilia.
  5. Book – Choose a mini-book size that will accommodate your memorabilia. Digi scrapbookers: When adding one piece of tactile memorabilia (un-scanned) to a small-sized digi-page, I have had the best visual results if the piece stretches from edge to edge, whether up-and-down or side-to-side.

If you start on these steps now, you’ll be ready to assemble your book when the new tutorial releases!

Weekly Roundup

Heads Up!

  • The Paperclipping Roundtable – We won’t be releasing this episode until Friday so that Nancy Nally can give us a full CHA trade show report!
  • Paperclipping Live! – This live scrapbooking show is every Tuesday at 6:30pm PST. Are you free?
  • The Paperclipping July Challenge – You have about two days to enter this! Come on, you know you want to…

That’s it for this week’s newsletter. I’m excited to share my two mini-books with you in the next week or so!

Best Regards,

Noell
Host, Paperclipping