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Repetition Do’s and Don’ts – Paperclipping 270

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Want to master a design principle?

Repetition is one of the key ways to creating a feeling of harmony in your layouts. But there are some things to watch for.

In the newest video tutorial of Paperclipping I shared some Do’s and Don’ts for how to use repetition in several different ways without making the page monotonous.

I shared two older pages — one that demonstrated a “Don’t,” and another that is definitely a “Do,” as well as a good example of how to fix the problem of the first page.

Then I assembled two more pages, working with those Do’s and Don’ts of repetition until my pages had a feeling of harmony.

See the sneak peek above?

Does it feel harmonious to you?

See how to do it in this newest episode of Paperclipping!

Note: You must be a Paperclipping Member to watch this video.

CLICK HERE to learn about our membership. =)

The Roundtable is on Summer Break

Hey, everybody, I’m sorry to say we won’t have a PRT episode this week. We are on family vacation.

I am hoping to have one next week, but I can’t promise it will work out with the limited time we have. Thanks for your patience, and I hope you’re having an awesome summer (or winter, for those of you on the opposite side of the planet from us). =)

Shine On,
Love,-Noell

PRT257 – The Prospect of Paper

This week we’re talking about why we buy…

The Panelists

Click here to see more…

How to Pick and Mix Products for Kits – Paperclipping 269

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Would you love to be able to mix patterns together into an awesome-looking coordinated group?

Whether you want to mix patterns for a single layout, or as a kit that will coordinate an entire scrapbook album, there are things you should understand about color…

Three Important Things to Understand About Color

A single hue can have many different versions. There are three things that decide how a single hue, such yellow, will actually look. Knowing what these are can help you better understand how to mix and use color.

1. Tonality (tone) – Tone refers to how light or dark a color is. Color is made lighter with white and darker with black. The paper on the far left with the lines of triangles shows a variety of tonalities of the same colors (turquoise, green, and yellow):
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See the different versions of yellow? They are the same yellow except in terms of their tone, which changes from light to dark. Same with the turquoise and green.

It’s easy to mix a variety of tones of the same color in your kits without running into any matching difficulties. In fact, variation in tonality is a really good idea, so go ahead and mix lights and darks of the same color.

2) Temperature – The temperature of a color depends on how warm or cool it is, which depends on how much yellow or blue has been blended into it. The pink and mustard stripe on the left in this picture below is very warm. The paper with the spokes on the right is cooler (though not totally cold because it has both warms and cools).
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We typically say the warm colors are red, orange, and yellow, and the cool colors are green, blue, and purple, but that is not entirely correct. You can actually get warmer and cooler versions of every color. It is okay to have some cools and some warms together in a single kit, but it’s a little trickier than mixing a variety of tones.

3) Vibrancy – Vibrancy has to do with how bright or muted a color is. It is very hard to mix vibrancy within a color grouping and get it right, so if you are newer at color, it’s easier to stick with colors of the same vibrancy.

The spokes in the paper above are very vibrant, but the blue background is muted. They work well together because their temperatures are similar. The muted blue works well with that tiny bit of eggplant just to the left of it because they have a similar vibrancy and their temperature is not too different. Their tones are very different from each other — remember, it’s good to have a variety of tones.

But the paper with the spokes and the paper with the pink and mustard stripes are horrible together. They have very little in common — their vibrancy is opposite, their temperatures are different. There just aren’t enough similarities to unite them.

It is possible to have both muted and bright colors within a group (as you can see that it works in the paper with the vibrant spokes but muted background color), and the sooner you master temperature, the sooner you’ll be able to mix vibrancy well.

Most Common Color Problems

When scrapbookers come to me with color challenges on their layouts, the most common problem I see is vibrancy mixes that don’t work. The second most common problem is that the colors are not balanced across the page.

You learn it by seeing it.

  • Would you like to see me take a big mix of papers from different designers and different years and put them together into a beautiful and exciting kit?
  • Want to see examples of papers that work well together and papers that don’t?
  • Do you want tips for making the process easier?
  • Would it help you to see me create a style-vibe for a kit?

Today we released a new video that takes you through my process of making a coordinated kit for an entire album. You’ll not only see these color principles at work, but you’ll also see the inspiration behind achieving a specific style with variety. You’ll see pattern-mixing, choosing or eliminating papers, and you’ll see me assemble a layout from the new kit.
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This video is for Paperclipping Members and is available the Member’s Area.

CLICK HERE for information about a membership!

Shine On,
Love,-Noell

PRT256 – The Scrapbooker’s Commentary

This week we’re talking about our process on different layouts…

The Panelists

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PRT255 – A Solid 70

This week we’re talking about developing your style…

The Panelists

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Not Too Big, Not Too Small, Just Right – Paperclipping 268

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Did you know that a slight size adjustment in your decorative items can make the difference between a page that looks finished and harmonious, and a page that doesn’t quite?

  • If an important embellishment is slightly big, it overpowers our photos and makes the page fill crammed and lacking breathing room.
  • If it’s too small, the page feels awkward and unfinished. The items on the page look disconnected and seem to be floating.

To show the difference size can make, and to help you identify when something is even just a little too small or big, I made multiple cuts of embellishments with my Cameo and compared them on pages I was making so you can actually see the difference between items that are just right, and items that aren’t up to size.

Hopefully by seeing these comparisons you will feel more empowered as you lay out your pages.

We uploaded this video tutorial to the Member’s Area an on iTunes today.

If you’re not a member, CLICK HERE for info!

Shine On,
Love,-Noell
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PRT254 – Forward Slap

This week we’re talking about the importance of scrapbooking (according to a dissertation)…

The Panelists

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PRT253 – When the Student is Ready, a Teacher Will Appear

This week we’re talking about refreshed scrapbook spaces…

The Panelists

Click here to see more…

The Dynamic Line Flexible Template, Part 2 – Paperclipping 267

What can you do with a single Flexible Template?

You can make an inexhaustible number of layouts that look very different.

But if I show you closeups of the template on two different pages, you might see that both layouts started from a single idea. Look below…

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Do you see it? The idea that started each of these layouts is what I call the Dynamic Line Flexible Template.

I’ve used it a lot.

My Flexible Templates are not actually full templates for a page (such as a sketch). Each template is just a general design idea to get you started on a solid design foundation, but the details are all up to you and can vary with each page:

  • Photo count – use as many or few as your story needs.
  • Page count – single or double page layout…it’s up to you.
  • Page size – 6×8, 8.5×11, 12×12…the templates work with any size you can imagine.
  • Title placement – the size of your letters and the colors on your page play a major role in where a title will look best on any given page, so my templates don’t dictate title placement.
  • Papers – your own personal style and story will factor in where and how much you want to layer or not layer. The templates leave you free to be you.
  • Details – because you can take your layout is so many different directions with a Flexible Template, additional detailing, like embellishments, can vary just as much.

For example, on the first layout pictured above I used eleven different scraps and blocks of papers in layers on top of the background paper, whereas on the second layout I only used two. And on another page I made with this template, I didn’t add any layers of paper to the background at all.

In Part One of the Dynamic Line Flexible Template video I made two layouts with photos from the same event, with the same exact color scheme, and even most of the products were the same or from the same package.

Why would I do that? Because I wanted to show you how a few minor differences made the pages different enough.

So imagine what variety you can get by using different colors, products, and pictures from different events. That is what I demonstrated in this Part Two episode.

My Flexible Templates get you started on a page design (because starting can be the hardest part), but they give you as much flexibility and room for creativity as you want.

Design with Lines

Did you know that some lines will move your eye around the page quickly, while others give you a sense of slow, steady stability?

Lines are a big deal. They play a major role in how a person feels and where they look when viewing your pages.

Because line is an essential part of the Dynamic Line Flexible Template, I took this episode as an opportunity to demonstrate how to make these two very different types of lines, and to show you how those lines make you feel.

You must be a member to watch this very packed episode.

Click here to learn about a membership!

You will find the new video in the Member’s Area and on iTunes in the Member feed.

Shine On,
Love,-Noell